The Whore's Child
contextâhis termâremained foreign and strange to her. The spooky part is that I know what he means.
âHer stories were on a different plateau,â Geneâs saying. âOne where pain and loss and betrayal were part of the equation.â
Portia, who appears to be pondering the truth of this, turns to me and says, âDoes that path go to the beach?â
I say it does, and she scrapes her chair backward along the deck. âDonât,â she says when I start to stand up, then she goes inside for an old pink towel she mustâve got from the duffel bag. âIâll be back.â
âAlso,â Gene says, smiling proudly, âshe was the only one in the workshop who was impossible to compliment.â
We watch until Portia disappears into the dunes. âItâs true,â he continues, pouring wine into his glass. âShe made me admit she wasnât beautiful before sheâd even go out with me.â
I fill my own glass with beer, the bubbles springing into existence at the bottom and then racing to the surface. I myself have never made any claims about the necessity of staring down any truths. Indeed, blinking has always seemed to me the most natural, perhaps essential, of human functions.
And so we sit, two friends on the downside of a notoriously slippery slope. Fifty years old. Then the wind shifts, and we can hear the waves rolling in.
Because of the surf, we donât hear Clare until the glass door on the deck slides open and she joins us. She and Gene embrace warmly, and I canât help smiling. After all, my wife and I have had a twenty-five-year disagreement over him that weâre not even close to resolving. What Iâm smiling at is that, at this moment, I could convince her. The things Gene says are often impossible to take seriously in his absence, and later tonight, when Clare and I are alone, I wonât be able to defend him. Right now, though, confined on our small deck with us, his presence and conviction command belief. The same is true of what he writes. Hearing Gene read in public, you are often moved to tears, while on the page these same words lack his power.
Clare seems to acknowledge all of this when she sees me grinning at her, and in return she makes a face. After she finishes hugging Gene, I get one too, a real hug, as if to apologize for leaving me alone for so long. In a glance at the table sheâs taken in that Iâve drunk three bottles of beer, a lot for me these days, and that Gene is on his second bottle of wine. She knows right where we are.
Though delighted that sheâs finally home, Iâm unwilling to let her off the hook. âWe were about to send out a search party,â I say.
âI drove out to the point and bought a lobster,â she explains, pouring herself a glass of white wine. âRight off the boat.â
âDonât tell me,â Gene says. âLobster sauce?â
âIf youâre good,â Clare tells him.
âDear Lord, make me worthy,â he says.
âNobodyâs
worthy
of Clareâs lobster sauce,â I say. âLike grace, it cannot be earned.â
âUnlike grace,â Gene says, âit occasionally comes my way.â
The lobster sauce, when I think about it, is an inspired choice, given that it so deftly negotiates the shoals of Geneâs personality. Whereas lobster for each of us would have been a conspicuous display, ill suited to the reunion of the sons of mill workers, the lobster
sauce,
served over pasta, signifies a sophistication that is nonetheless mindful of who we are. Until you get to know Gene, itâs easy to offend him unintentionally. Which is why I laid in good but affordable Italian wines for his visit. He considers French wines an affectation, and imported beers are always sure to provoke a sarcastic comment. No, Clareâs lobster sauce is just the right thing, its ethnic accent overpowering upward mobility.
âShould I get started?â Clare asks, more of me than of our guest, though itâs Gene who answers.
âRelax,â he suggests. âIâm content to anticipate for hours.â
âPortia is investigating the beach,â I say, since I know Clare must be wondering.
âWeâre still in that beginning stage,â Gene confesses. âTesting limits. Finding out how much is
too
much. Itâs harder for her. She needs to carve out her own territory. To keep herself
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