Them or Us

shove my foot down hard on the accelerator pedal again to get to maximum speed and take advantage of this moment of clear road ahead. The van’s struggling to keep going, and it’s just a matter of seconds before both of the bikes are swarming around the back again. Fortunately the road here narrows slightly, and I weave from side to side. There’s no way either of them is getting past.
    I catch a glimpse of something through the bare-branched trees. It’s gone again in a heartbeat, and I think I must have been mistaken, but then there’s another gap in the hedgerow and I look across and see the remains of the battlefield I remember seeing when Sutton brought me out here.
    We’re close now. Very close.
    Wait. This must be it. I’m sure I can see the outline of the farm buildings in the near distance up ahead. I swerve hard to block one of the bikes from trying to pass again, and Chloe screams with pain as she’s thrown across the back of the van and hits the side of her head against the metal cage. Her piercing scream cuts right through me, but it helps me focus, too. It’s like when Ellis and Josh used to fight in the backseat of my car.
    “Hold on,” I tell them both, as much for my benefit as theirs, quickly checking over my shoulder that they’re both braced for impact. I let one of the bikes slip past, then slam on the brakes. The first rider races ahead, at first not even noticing I’ve stopped. The second driver pulls up hard to avoid a collision and loses balance, the bike kicking out from under him. I accelerate again, but the engine doesn’t react. It threatens to stall, and I will it to keep ticking over. Our speed finally begins to increase, and I steer hard right through the open gateway into the dilapidated farm, a few precious seconds of space behind us.
    The well-worn wheels of the van struggle to get a grip on the mud- and ice-covered track. The back end swings out violently as I turn, and I feel it smack against one of the gateposts, but I manage to keep control and keep my speed up, trying to remember the exact layout of the farm as I career toward the collection of dark, empty buildings, desperate to get out of sight before any of our pursuers catch up. Directly ahead now is the derelict cowshed where Peter Sutton left his car when he brought me here. I look back and see the jeep just turning into the farm. I drive into the shed, then slam on the brakes and kill the engine.
    “Keep your damn heads down,” I yell at the kids again, hoping I’ve done enough to keep us hidden. I can hear the jeep approaching. “Don’t move a muscle! If they see either of you, we’ve all had it.”
    I sink down into my seat and watch in the mirrors, completely still, moving only my eyes. Within a few seconds the jeep appears in the muddy yard behind us and skids to an abrupt halt. Moments later the two bikes arrive. With the bike riders, at least one other soldier in the jeep, probably more … the odds aren’t looking good. I could try to take them by surprise, start the engine again, drive away and hope to get enough of a head start on them, then hide out and come back here later, but what’s that going to achieve? I’m low on fuel, and the bunker is the only place I can take these kids.
    “Head hurts,” Chloe whimpers.
    “Shut up,” I hiss at her. “They’ll hear you.”
    Jake reaches across and covers her mouth with his hand. In the middle of the yard behind us, two more of Ankin’s soldiers get out of the back of the jeep, then split up, the driver ordering them away in different directions. Along with the two motorcyclists they fan out across the farm, and I watch in the rearview mirror as one of them starts walking directly toward the cowshed, no doubt following the fresh tracks we’ve left in the mud and ice. Moving as little as possible, I reach across to the passenger seat and grab the metal cutters I brought with me from the factory.
    I can hear the soldier approaching, boots crunching louder with every advancing step. It’s a woman, her face smeared with the grime of battle, and she’s carrying a pistol. She peers into the shed, then edges into the darkness cautiously, not about to take any chances. She moves slowly, inching ever closer to the back of this still-warm bullet-riddled wreck of a van. For a fraction of a second our eyes seem to meet in the rearview mirror, but I don’t think she’s yet sure what she saw. She takes another step forward, then stops and spins