Them or Us

to see the main man again a few hours ago, but the longer I’ve been here, the more obvious it’s become that this is just a holding cell. It’s getting dark now, and I don’t think they’re going to let me out until it’s time to go back. The door’s not locked, but every time I look out I see people swarming around on the landing, usually Chandra or Swales taking turns standing watch.
    Llewellyn says that Ankin is expecting to rendezvous with thousands more of his people outside Lowestoft, and from what I’ve already seen I have no doubt it’ll happen. As soon as they’re in position, Llewellyn said, Ankin is also expecting me to trot off into town and explain to Hinchcliffe that he needs to step aside and let someone else take over the place. Like fuck. Hinchcliffe’s not going to play ball, and neither am I. They don’t really need me, and I definitely don’t need them. It’s time to get out of here.
    My body clock is ticking fast, and I can’t afford to waste any more time. My days are numbered, and I really couldn’t give a damn about any of these people and their stupid, pointless power struggles. It’s exactly the same bullshit politics I used to try to avoid getting tangled up in at work, but here the stakes are immeasurably higher. Except for me. My fate is already sealed. Nothing any of them do will make any difference to me now, so why should I care? What does it matter to me who’s left running Lowestoft, or the whole damn country, for that matter? Sitting here alone in the dark over the last couple of hours, I’ve reached an important conclusion: I’m not going to waste the little time I have left on anyone else—Hinchcliffe, Ankin, Llewellyn, Peter Sutton, Joseph Mallon … fuck the lot of them. I don’t care where I end up, I’m just going to get as far away from everyone and everything else as I possibly can.
    I’ve waited hours for a chance to make my move, and now it’s time. Both Chandra and Swales have gone, and the landing is clear. Shivering with cold, I button up my coat and swing my backpack onto my shoulders. I carefully push the door open just a crack, suddenly feeling like a character in one of those old spy movies I’d forgotten about until now. When I’m sure the corridor outside is empty, I take a few tentative steps out of the room, then stop and listen. I can hear a myriad of muffled noises coming from outside and below, but up here it’s silent and I keep going.
    A sudden movement out of the corner of my eye makes me freeze. At the end of the short landing, where this stunted corridor opens out into the main part of the museum viewing area, a lone boot is sticking out from behind a wall. I creep closer until I’m near enough to peer around the corner, and I see that it’s Swales. The dumb bastard is fast asleep on guard duty, and there’s no one else on the rest of this level. It’s almost dark—the only illumination coming from the very last light of day seeping in through grimy glass panels in the ceiling high above my head. I stick close to the wall, clinging to the shadows, and cautiously edge along, aiming for the staircase I climbed with Llewellyn when we first got here. I’ll go down to the ground floor, then try to find another way out. Hardly any of these people know me, so it shouldn’t be too hard to slip past them. Hinchcliffe always says I have a face that’s easy to forget, but that doesn’t stop me feeling like the center of attention the farther I manage to get from where I’m supposed to be. There’s bound to be a window I can climb through somewhere. Failing that, there’ll be emergency exits and fire escapes I can use. If I can retrace my steps through the dead streets of Norwich, I’ll be able to find somewhere to shelter and hide until it’s safe. Ankin’s march into Lowestoft is going to happen with or without me, so by this time tomorrow, this ruin of a city should be deserted again. If I stay off the roads and vary my route, I’ll be as hard to find as Ankin’s damn airplane.
    I reach the top of the stairs and peer down over the ornately carved balustrade. I can hear voices below, but it’s hard to be sure exactly where they’re coming from. I take a few hesitant steps down, then stop to listen again. The voices are moving away and getting quieter. I think my way is clear. I start moving again, concentrating on trying to get to—
    “Where the fuck d’you think you’re going?”
    The wide staircase makes the