U Is for Undertow

William, were ninety-six, ninety-one, and ninety respectively, and all were going strong. Any talk about the frailties of the elderly has no bearing on them.
    I let myself into the studio and dropped my shoulder bag on a kitchen stool. I moved to the sitting area, turning on a couple of lamps to brighten the room. I went up the spiral staircase to the sleeping loft, where I perched on the edge of the platform bed and pulled off my boots. Most days, my work attire is casual—jeans, a turtleneck, and boots or tennis shoes. I can add a tweed blazer if I feel the need to dress up. Though I’m capable of skirts and panty hose, they’re not my first choice. I do own one dress that I’m happy to say is suitable for most occasions. It’s black, made of a fabric so wrinkle-resistant, if I rolled it up and stored it in my shoulder bag, you’d never know the difference.
    At the end of the day, my clothes hurt and I’m eager to be shed of the restraints. I stripped off my jeans and hung them on a peg. I pulled off my shirt and tossed it over the rail. Once I was downstairs again, I’d retrieve it and add it to the garments waiting in the washing machine. In the meantime, I found a set of clean sweats and my slippers, rejoicing, as I always do, that Henry and I are beyond the need to impress each other. As far as I’m concerned, he’s perfect and I suspect he’d say much the same thing about me.
    I’ve been his tenant for the past eight years. At one time, my studio was Henry’s single-car garage. He decided he needed a larger one to accommodate his station wagon and his pristine 1932 five-window coupe, so he converted the original garage to a rental unit, which I’d moved into. An unfortunate explosion had flattened my apartment six years before, so Henry had redesigned the floor plan, adding a half-story above the kitchen. On the ground floor I have a living room with a desk and a sofa bed that can accommodate overnight guests. The kitchen is small, a galley-style bump-out off the living room. There’s also a bathroom and a combination washer-dryer tucked under the spiral stairs. The whole of it resembles the interior of a small boat, lots of highly polished teak and oak, with a porthole in the front door and nautical blue captain’s chairs. The new loft, in addition to a double bed, boasts built-in cubbyholes, as well as a second bathroom with a view that includes a small slice of the Pacific Ocean visible through the trees. Henry had installed a Plexiglas skylight above my bed, so I wake to whatever weather’s drifted in during the night.
    Between the studio and Henry’s house there’s a glassed-in passageway where he proofs batches of bread, using a Shaker cradle like an enormous buttered bowl. In his working days, he made his living as a commercial baker, and he still can’t resist the satiny feel of newly kneaded dough.
    At 5:29 I grabbed my shoulder bag, crossed the flagstone patio, and tapped on the glass pane in Henry’s back door. Most of the time he leaves it unlocked, but our unspoken agreement is to respect each other’s privacy. Unless my apartment was in flames, he’d never dream of entering without permission. I peered through the glass and saw Henry standing at the sink, filling it with hot water into which he was squeezing a long shot of liquid detergent. He took three steps to the side to open the door and then returned to his task. I could see numerous place settings of tarnished silverware on the counter with a roll of aluminum foil and a clean towel laid out. He’d set an eight-quart pan on the stove and the water had just reached a rolling boil. On the bottom of the pan there was a crumpled section of foil. I watched him add a quarter cup of baking soda, after which he placed the silverware in the bubbling water with the foil.
    “Oh yum. A pot of flatware soup.”
    He smiled. “When I pulled the silver from the canteen, most of it was tarnished. Watch this.”
    I peered into the boiling water and watched as the foil turned dark and the tarnish disappeared from all the forks, knives, and spoons. “That doesn’t do any harm?”
    “Some people think so, but anytime you polish silver, you’re removing a thin layer of oxidation. That’s a Towle pattern, by the way. Cascade. I inherited service for eighteen from a maiden aunt who died in 1933. The pattern’s discontinued, but if I haunt garage sales, I can sometimes find a piece.”
    “What’s the occasion?”
    “Silver’s