Ursula

from faith. Ah! this shall be the end of our quarrels; we will never have another. You have claimed to love me better than I love you, but—did I ever doubt you?" he said, offering her a bouquet of wild-flowers arranged to express his thoughts.
    "You have never had any reason to doubt me," she replied; "and, besides, you don't know all," she added, in a troubled voice.
    Ursula had refused to receive letters by the post. But that afternoon, without being able even to guess at the nature of the trick, she had found, a few moments before Savinien's arrival, a letter tossed on her sofa which contained the words: "Tremble! a rejected lover can become a tiger."
    Withstanding Savinien's entreaties, she refused to tell him, out of prudence, the secret of her fears. The delight of seeing him again, after she had thought him lost to her, could alone have made her recover from the mortal chill of terror. The expectation of indefinite evil is torture to every one; suffering assumes the proportions of the unknown, and the unknown is the infinite of the soul. To Ursula the pain was exquisite. Something without her bounded at the slightest noise; yet she was afraid of silence, and suspected even the walls of collusion. Even her sleep was restless. Goupil, who knew nothing of her nature, delicate as that of a flower, had found, with the instinct of evil, the poison that could wither and destroy her.
    The next day passed without a shock. Ursula sat playing on her piano till very late; and went to bed easier in mind and very sleepy. About midnight she was awakened by the music of a band composed of a clarinet, hautboy, flute, cornet a piston, trombone, bassoon, flageolet, and triangle. All the neighbours were at their windows. The poor girl, already frightened at seeing the people in the street, received a dreadful shock as she heard the coarse, rough voice of a man proclaiming in loud tones: "For the beautiful Ursula Mirouet, from her lover."
    The next day, Sunday, the whole town had heard of it; and as Ursula entered and left the church she saw the groups of people who stood gossiping about her, and felt herself the object of their terrible curiosity. The serenade set all tongues wagging, and conjectures were rife on all sides. Ursula reached home more dead than alive, determined not to leave the house again,—the abbe having advised her to say vespers in her own room. As she entered the house she saw lying in the passage, which was floored with brick, a letter which had evidently been slipped under the door. She picked it up and read it, under the idea that it would obtain an explanation. It was as follows:—
    "Resign yourself to becoming my wife, rich and idolized. I am resolved. If you are not mine living you shall be mine dead. To your refusal you may attribute not only your own misfortunes, but those which will fall on others.
    "He who loves you, and whose wife you will be."
    Curiously enough, at the very moment that the gentle victim of this plot was drooping like a cut flower, Mesdemoiselles Massin, Dionis, and Cremiere were envying her lot.
    "She is a lucky girl," they were saying; "people talk of her, and court her, and quarrel about her. The serenade was charming; there was a cornet-a-piston."
    "What's a piston?"
    "A new musical instrument, as big as this, see!" replied Angelique Cremiere to Pamela Massin.
    Early that morning Savinien had gone to Fontainebleau to endeavor to find out who had engaged the musicians of the regiment then in garrison. But as there were two men to each instrument it was impossible to find out which of them had gone to Nemours. The colonel forbade them to play for any private person in future without his permission. Savinien had an interview with the procureur du roi, Ursula's legal guardian, and explained to him the injury these scenes would do to a young girl naturally so delicate and sensitive, begging him to take some action to discover the author of such wrong.
    Three nights later three violins, a flute, a guitar, and a hautboy began another serenade. This time the musicians fled towards Montargis, where there happened then to be a company of comic actors. A loud and ringing voice called out as they left: "To the daughter of the regimental bandsman Mirouet." By this means all Nemours came to know the profession of Ursula's father, a secret the old doctor had sedulously kept.
    Savinien did not go to Montargis. He received in the course of the day an anonymous letter containing a