Whispers Under Ground

archaeologists,’ he said. ‘Complete wild goose chase for them and for us.’
    Lesley stuck her head through the door, spotted us and came in. ‘Have you seen how much that man can eat?’
    ‘He’s a halfling,’ I said which just got me blank looks from the pair of them.
    We divided up the day’s work. While Nightingale supervised Lesley’s morning practice I would file my paperwork with the Murder Team and check the action list on HOLMES to see if anything relevant, i.e.: weird, unusual or uncanny, had come up. Hopefully by the time we’d finished up Zach would have found the goblin market, which me and Lesley would go and check out.
    ‘I’m going to visit the Barbican and re-interview Mr Woodville-Gentle,’ said Nightingale. ‘At the very least my attention might spook him into revealing himself.’
    ‘Assuming he has something to reveal,’ I said.
    ‘Oh, he has something to reveal all right,’ said Lesley. ‘I guarantee that.’
    It had stopped snowing during the night and although the sun wasn’t out, the cloud had thinned and the extra warmth had turned the drifts of snow in the courtyard brittle. I still lost skin on the iron handrail of the stairs, though. The interior of the coach house smelt of paraffin and damp paper but the heater had kept the temperature high enough to protect my electronics. The couch had been straightened and the rubbish bin emptied – I can always tell when Nightingale’s been watching the rugby because he leaves the place tidier than normal. I put the kettle on, powered up my laptop and the second-hand Dell I use to run HOLMES and got down to work.
    Police work is just like every other job in that the first thing you do when you sit down in the morning is deal with your emails. Spam elimination followed by humorous cats, followed by ‘requests’ from the Case Manager that I get my arse in gear and hand in my statements. I got out my notebooks and started writing up my visits to Ryan Carroll and Kevin Nolan. I considered writing up my later encounter with Kevin Nolan and Agent Reynolds, but that might have led to questions about why I didn’t contact Kittredge straight away. In the end I informed them that I’d put Zachary Palmer up for the night and that, informally, he’d indicated that there was some kind of bad blood between him and the Nolans. I had not been assigned any further actions, so I looked up the forensics reports on HOLMES.
    The techs had failed to recover anything from James Gallagher’s phone because of the ‘unusually degraded’ state of its chips, although they had hopes that they might be able to do a dump from the relatively undamaged flash memory. I knew from painful experience what had ‘degraded’ the phone. I wondered if the forensics people did too. Nightingale and the Folly bobbed along in the modern world, kept afloat by an interlocking series of arrangements and unspoken agreements many of which, I was certain, really only existed in Nightingale’s head.
    The report on the murder weapon indicated that it was indeed a section from a larger plate, an image of the CGI reconstruction was attached, but that it was not made from china but was instead a type of stoneware – identifiable because of its opacity and semi-vitreous nature – whatever that meant. Chemical analysis indicated that it was seventy per cent clay mixed in with quartz, soda-lime glass, crushed flint and grog. I Googled grog and decided that they probably meant crushed fragments of previously fired china rather than cheap rum mixed with lime juice. It bore a superficial resemblance to Coade Stone but comparative analysis of a sample provided by a specialist restoration company indicated it was not the same material, not least because it was manufactured using inferior London clay rather than the finer Ball clay from Dorset. There was an additional twenty-odd pages on the history of Coade Stone which I put aside against the possibility I might develop insomnia in the near future.
    The pathology report on the weapon was more interesting. Its shape matched the fatal wound track in James Gallagher’s back, a shallower wound in his shoulder, and was a probable match for three cuts to his left and right hands – probably defensive wounds. The blood covering the weapon was a DNA match for James Gallagher and splatter analysis indicated that he might have pulled the weapon out of himself while lying on the tracks. Lovely. However, there were traces of a second