Why Be Happy When You Could Be Normal?

through the fierce and unseen return of the lost loss. The door into the dark room had swung open. The door at the bottom of the steps in our nightmares. The Bluebeard door with the bloodstained key.
    The door had swung open. I had gone in. The room had no floor. I had fallen and fallen and fallen.
    But I was alive.
    And that night the cold stars made a constellation from the pieces of my broken mind.
    There was no straight-line connection. You can tell that reading this. I want to show how it is when the mind works with its own brokenness.
    In March 2008 I was in bed recovering and reading Mark Doty – Dog Years .
    It is a memoir about living with dogs – actually it is a story about living with life. Living with life is very hard. Mostly we do our best to stifle life – to be tame or to be wanton. To be tranquillised or raging. Extremes have the same effect; they insulate us from the intensity of life.

    And extremes – whether of dullness or fury – successfully prevent feeling. I know our feelings can be so unbearable that we employ ingenious strategies – unconscious strategies – to keep those feelings away. We do a feelings-swap, where we avoid feeling sad or lonely or afraid or inadequate, and feel angry instead. It can work the other way, too – sometimes you do need to feel angry, not inadequate; sometimes you do need to feel love and acceptance, and not the tragic drama of your life.
    It takes courage to feel the feeling – and not trade it on the feelings-exchange, or even transfer it altogether to another person. You know how in couples one person is always doing the weeping or the raging while the other one seems so calm and reasonable?
    I understood that feelings were difficult for me although I was overwhelmed by them.
    I often hear voices. I realise that drops me in the crazy category but I don’t much care. If you believe, as I do, that the mind wants to heal itself, and that the psyche seeks coherence not disintegration, then it isn’t hard to conclude that the mind will manifest whatever is necessary to work on the job.
    We now assume that people who hear voices do terrible things; murderers and psychopaths hear voices, and so do religious fanatics and suicide bombers. But in the past, voices were respectable – desired. The visionary and the prophet, the shaman and the wise-woman. And the poet, obviously. Hearing voices can be a good thing.
    Going mad is the beginning of a process. It is not supposed to be the end result.

    Ronnie Laing, the doctor and psychotherapist who became the trendy 1960s and 70s guru making madness fashionable, understood madness as a process that might lead somewhere. Mostly, though, it is so terrifying for the person inside it, as well as the people outside it, that the only route is drugs or a clinic.
    And our madness-measure is always changing. Probably we are less tolerant of madness now than at any period in history. There is no place for it. Crucially, there is no time for it.
    Going mad takes time. Getting sane takes time.
    There was a person in me – a piece of me – however you want to describe it – so damaged that she was prepared to see me dead to find peace.
    That part of me, living alone, hidden, in a filthy abandoned lair, had always been able to stage a raid on the rest of the territory. My violent rages, my destructive behaviour, my own need to destroy love and trust, just as love and trust had been destroyed for me. My sexual recklessness – not liberation. The fact that I did not value myself. I was always ready to jump off the roof of my own life. Didn’t that have a romance to it? Wasn’t that the creative spirit unbounded?
    No.
    Creativity is on the side of health – it isn’t the thing that drives us mad; it is the capacity in us that tries to save us from madness.
    The lost furious vicious child living alone in the bottom bog wasn’t the creative Jeanette – she was the war casualty. She was the sacrifice. She hated me. She hated life.

    There are so many fairy stories – you know them – where the hero in a hopeless situation makes a deal with a sinister creature and obtains what is needed – and it is needed – to go on with the journey. Later, when the princess is won, the dragon defeated, the treasure stored, the castle decorated, out comes the sinister creature and makes off with the new baby, or turns it into a cat, or – like the thirteenth fairy nobody invited to the party – offers a poisonous gift that kills