Abbotsford and Newstead Abbey

the clock; and she told me that one night when she was lying in bed, she saw a lady in white come out of the wall on one side of the room, and go into the wall on the opposite side.
    “Lord Byron one day said to me, ‘Nanny, what nonsense they tell about ghosts, as if there ever were any such things. I have never seen any thing of the kind about the Abbey, and I warrant you have not.’ This was all done, do you see, to draw me out; but I said nothing, but shook my head. However, they say his lordship did once see something. It was in the great hall—something all black and hairy, he said it was the devil.
    “For my part,” continued Nanny Smith, “I never saw anything of the kind—but I heard something once. I was one evening scrubbing the floor of the little dining-room at the end of the long gallery; it was after dark; I expected every moment to be called to tea, but wished to finish what I was about. All at once I heard heavy footsteps in the great hall. They sounded like the tramp of a horse. I took the light and went to see what it was. I heard the steps come from the lower end of the hall to the fireplace in the centre, where they stopped; but I could see nothing. I returned to my work, and in a little time heard the same noise again. I went again with the light; the footsteps stopped by the fireplace as before; still I could see nothing. I returned to my work, when I heard the steps for a third time. I then went into the hall without a light, but they stopped just the same, by the fireplace, half way up the hall. I thought this rather odd, but returned to my work. When it was finished, I took the light and went through the hall, as that was my way to the kitchen. I heard no more footsteps, and thought no more of the matter, when, on coming to the lower end of the hall, I found the door locked, and then, on one side of the door, I saw the stone coffin with the skull and bones that had been digged up in the cloisters.”
    Here Nanny paused. I asked her if she believed that the mysterious footsteps had any connection with the skeleton in the coffin; but she shook her head, and would not commit herself. We took our leave of the good old dame shortly after, and the story she had related gave subject for conversation on our ride homeward. It was evident she had spoken the truth as to what she had heard, but had been deceived by some peculiar effect of sound. Noises are propagated about a huge irregular edifice of the kind in a very deceptive manner; footsteps are prolonged and reverberated by the vaulted cloisters and echoing halls; the creaking and slamming of distant gates, the rushing of the blast through the groves and among the ruined arches of the chapel, have all a strangely delusive effect at night. Colonel Wildman gave an instance of the kind from his own experience. Not long after he had taken up his residence at the Abbey, he heard one moonlight night a noise as if a carriage was passing at a distance. He opened the window and leaned out. It then seemed as if the great iron roller was dragged along the gravel walks and terrace, but there was nothing to be seen. When he saw the gardener on the following morning, he questioned him about working so late at night. The gardener declared that no one had been at work, and the roller was chained up. He was sent to examine it, and came back with a countenance full of surprise. The roller had been moved in the night, but he declared no mortal hand could have moved it. “Well,” replied the Colonel, good-humoredly, “I am glad to find I have a brownie to work for me.”
    Lord Byron did much to foster and give currency to the superstitious tales connected with the Abbey, by believing, or pretending to believe in them. Many have supposed that his mind was really tinged with superstition, and that this innate infirmity was increased by passing much of his time in a lonely way, about the empty halls and cloisters of the Abbey, then in a ruinous melancholy state, and brooding over the skulls and effigies of its former inmates. I should rather think that he found poetical enjoyment in these supernatural themes, and that his imagination delighted to people this gloomy and romantic pile with all kinds of shadowy inhabitants. Certain it is, the aspect of the mansion under the varying influence of twilight and moonlight, and cloud and sunshine operating upon its halls, and galleries, and monkish cloisters, is enough to breed all kinds of fancies in the minds of its