Call the Midwife: A True Story of the East End in the 1950S

hallway. This was obviously what my grandmother would have called “the best parlour”, filled with her best furniture, knick-knacks, china, pictures, lace, and, of course, the piano. It was only used on Sundays and on special occasions.
     
    But if this fine room had ever been anyone’s best parlour the proud housewife would have wept to see it. About half a dozen washing-lines were attached to the picture rail just below the cornices of a beautifully plastered ceiling. Washing hung from each of them. Light filtered through a single faded curtain that appeared to be nailed across the window, screening this front room from the street. It was obviously impossible to draw this curtain back. The wooden floor was covered with what looked like junk. Broken radios, prams, furniture, toys, a pile of logs, a sack of coal, the remains of a motorcycle, and what seemed to be engineering tools, engine oil and petrol. Apart from all this, there were scores of tins of household paints on a bench, brushes, rollers, cloths, pots of spirit, bottles of thinners, rolls of wallpaper, pots of dried out glue, and another ladder. The curtain was pinned up with a safety pin by about eighteen inches at one corner, allowing sufficient light to reveal a new Singer sewing machine on a long table. Dressmaking patterns, pins, scissors, and cotton were scattered all over the table, and also, quite unbelievably, there was some very fine, expensive silk material. Next to the table stood a dressmaker’s model. Also hard to believe, and the only thing that would have resembled my grandmother’s front parlour, was a piano that stood against one of the walls. The lid was open, revealing filthy yellow keys, with several of the ivories broken off, but my eyes were riveted by the maker’s name - Steinway. I couldn’t believe it - a Steinway in a room like this, in a house like this! I wanted to rush over and try it, but I was looking for a way down to the basement, where the noise was coming from. I closed the door, and tried the second room off the hallway.
     
    This room revealed a doorway that led down to the basement. I descended the wooden stairs, making as much clatter and noise as I could, as no one knew I was there and I didn’t want to alarm anyone. I called out “Hello” loudly. No reply. “Anyone there?” I called, fatuously. There was obviously someone there. Still no reply. The door was ajar at the bottom, and there was nothing for it but to push it open and walk in.
     
    Immediately there was a dead silence and I was conscious of about a dozen pairs of eyes looking at me. Most of them were the wide innocent eyes of children but amidst them were the coal-black eyes of a handsome woman with black hair hanging in heavy waves past her shoulders. Her skin was beautiful - pale, but slightly tawny. Her shapely arms were wet from the washing tub, and soap clung to her fingers. Although obviously engaged in the endless household chore of washing, she did not look slovenly. Her figure was large, but not over-large. Her breasts were well supported, and her hips were large, but not flabby. A flowered apron covered her plain dress, and the crimson band which held back the dark hair accentuated the exquisite contrast between skin and hair. She was tall, and the poise of her shapely head on a slender neck spoke eloquently of the proud beauty of a Spanish Contessa, with generations of aristocracy behind her.
     
    She did not say a word. Neither did the children. I felt uncomfortable, and started babbling on about being the district midwife, and getting no reply when I knocked, and wanting to see the rooms for a home confinement. She did not reply. So I repeated myself. Still no reply. She just gazed at me with calm composure. I began to wonder if she was deaf. Then two or three of the children began talking to her, all of them at once, in rapid Spanish. An exquisite smile spread across her face. She stepped towards me and said, “ Si. Bebe .” I asked if I might look at the bedroom. No reply. I looked towards one of the children who had spoken, a girl of about fifteen. She spoke to her mother in Spanish, who said, with gracious courtesy and a slight inclination of her sculptured head, “ Si .”
     
    It was clear that Mrs Conchita Warren spoke no English. In all the time that I knew her the only words that I heard her speak, apart from dialogue with the children, were “ si ” and “ bebe ”.
     
    The impression this woman made upon me was