Cold Fire

journalism anymore and that she was going to walk away from a career and a commitment that she had once thought would last all her life.
    Now she got out of bed and paced, too excited to sit still.
    She was finished as a reporter.
    Finished.
    She was free. As a working-class kid from a powerless family, she had been obsessed by a lifelong need to feel important, included, a real insider. As a bright child who grew into a brighter woman, she had been puzzled by the apparent disorderliness of life, and she had been compelled to explain it as best she could with the inadequate tools of journalism. Ironically, the dual quest for acceptance and explanations—which had driven her to work and study seventy- and eighty-hour weeks for as long as she could remember—had left her rootless, with no significant lover, no children, no real friends, and no more answers to the difficult questions of life than those with which she had started. Now she was suddenly free of those needs and obsessions, no longer concerned about belonging to any elite club or explaining human behavior.
    She had thought she hated journalism. She didn't. What she hated was her failure at it; and she had failed because journalism had never been the right thing for her.
    To understand herself and break the bonds of habit, all she had needed was to meet a man who could work miracles, and survive a devastating airline tragedy.
    “Such a flexible woman, Thorne,” she said aloud, mocking herself. “So insightful.”
    Why, good heavens, if meeting Jim Ironheart and walking away from a plane crash hadn't made her see the light, then surely she'd have figured it out just as soon as Jiminy Cricket rang her doorbell and sang a cleverly rhymed lesson-teaching song about the differences between wise and stupid choices in life.
    She laughed. She pulled a blanket off the bed, wound it around her nude body, sat in one of the two armchairs, drew her legs up under her, and laughed as she had not laughed since she had been a giddy teenager.
    No, that was where the problem began: she had never been giddy. She had been a serious-minded teenager, already hooked on current events, worried about World War III because they told her she was likely to die in a nuclear holocaust before she graduated from high school; worried about overpopulation because they told her that famine would claim one and a half billion lives by 1990, cutting the world population in half, decimating even the United States; worried because man-made pollution was causing the planet to cool down drastically, insuring another ice age that would destroy civilization within her own lifetime!!!!, which was front-page news in the late seventies, before the Greenhouse Effect and worries about planetary warming. She had spent her adolescence and early adulthood worrying too much and enjoying too little. Without joy, she had lost perspective and had allowed every news sensation—some based on genuine problems, some entirely fraudulent—to consume her.
    Now she laughed like a kid. Until they hit puberty and a tide of hormones washed them into a new existence, kids knew that life was scary, yeah, dark and strange, but they also knew that it was silly, that it was meant to be fun, that it was an adventurous journey down a long road of time to an unknown destination in a far and wondrous place.
    Holly Thorne, who suddenly liked her name, knew where she was going and why.
    She knew what she hoped to get from Jim Ironheart—and it was not a good story, journalistic accolades, a Pulitzer. What she wanted from him was better than that, more rewarding and enduring, and she was eager to confront him with her request.
    The funny thing was, if he agreed and gave her what she wanted, she might be buying into more than excitement, joy, and a meaningful existence. She knew there was danger in it, as well. If she got what she asked from him, she might be dead a year from now, a month from now—or next week. But for the moment, at least, she focused on the prospect of joy and was not deterred by the possibility of early death and endless darkness.

Part Two
THE WINDMILL
    Nowhere can a secret keep
always secret, dark and deep,
half so well as in the past,
buried deep to last, to last.

Keep it in your own dark heart,
otherwise the rumors start.

After many years have buried
secrets over which you worried,
no confidant can then betray
all the words you didn't say.

Only you can then exhume
secrets safe within the tomb
of