Complete Works

and painting and music, all art, all history; their only accomplishment, their only superiority, their only amusement. The talk of camp fires, which speaks of bravery and cunning, of strange events and of far countries, of the news of yesterday and the news of to-morrow. The talk about the dead and the living — about those who fought and those who loved.
    Lakamba came out on the platform before his own house and sat down — perspiring, half asleep, and sulky — in a wooden armchair under the shade of the overhanging eaves. Through the darkness of the doorway he could hear the soft warbling of his womenkind, busy round the looms where they were weaving the checkered pattern of his gala sarongs. Right and left of him on the flexible bamboo floor those of his followers to whom their distinguished birth, long devotion, or faithful service had given the privilege of using the chief’s house, were sleeping on mats or just sat up rubbing their eyes: while the more wakeful had mustered enough energy to draw a chessboard with red clay on a fine mat and were now meditating silently over their moves. Above the prostrate forms of the players, who lay face downward supported on elbow, the soles of their feet waving irresolutely about, in the absorbed meditation of the game, there towered here and there the straight figure of an attentive spectator looking down with dispassionate but profound interest. On the edge of the platform a row of high-heeled leather sandals stood ranged carefully in a level line, and against the rough wooden rail leaned the slender shafts of the spears belonging to these gentlemen, the broad blades of dulled steel looking very black in the reddening light of approaching sunset.
    A boy of about twelve — the personal attendant of Lakamba — squatted at his master’s feet and held up towards him a silver siri box. Slowly Lakamba took the box, opened it, and tearing off a piece of green leaf deposited in it a pinch of lime, a morsel of gambier, a small bit of areca nut, and wrapped up the whole with a dexterous twist. He paused, morsel in hand, seemed to miss something, turned his head from side to side, slowly, like a man with a stiff neck, and ejaculated in an ill-humoured bass —
    “Babalatchi!”
    The players glanced up quickly, and looked down again directly. Those men who were standing stirred uneasily as if prodded by the sound of the chief’s voice. The one nearest to Lakamba repeated the call, after a while, over the rail into the courtyard. There was a movement of upturned faces below by the fires, and the cry trailed over the enclosure in sing-song tones. The thumping of wooden pestles husking the evening rice stopped for a moment and Babalatchi’s name rang afresh shrilly on women’s lips in various keys. A voice far off shouted something — another, nearer, repeated it; there was a short hubbub which died out with extreme suddenness. The first crier turned to Lakamba, saying indolently —
    “He is with the blind Omar.”
    Lakamba’s lips moved inaudibly. The man who had just spoken was again deeply absorbed in the game going on at his feet; and the chief — as if he had forgotten all about it already — sat with a stolid face amongst his silent followers, leaning back squarely in his chair, his hands on the arms of his seat, his knees apart, his big blood-shot eyes blinking solemnly, as if dazzled by the noble vacuity of his thoughts.
    Babalatchi had gone to see old Omar late in the afternoon. The delicate manipulation of the ancient pirate’s susceptibilities, the skilful management of Aissa’s violent impulses engrossed him to the exclusion of every other business — interfered with his regular attendance upon his chief and protector — even disturbed his sleep for the last three nights. That day when he left his own bamboo hut — which stood amongst others in Lakamba’s campong — his heart was heavy with anxiety and with doubt as to the success of his intrigue. He walked slowly, with his usual air of detachment from his surroundings, as if unaware that many sleepy eyes watched from all parts of the courtyard his progress towards a small gate at its upper end. That gate gave access to a separate enclosure in which a rather large house, built of planks, had been prepared by Lakamba’s orders for the reception of Omar and Aissa. It was a superior kind of habitation which Lakamba intended for the dwelling of his chief adviser — whose abilities were worth that honour,