In Death 18 - Divided in Death

Roarke—”
    “Yes, yes.” He waved away her concerns. “Ah, here we are. Take a look.”
    She hissed out a breath, turned back to the screen, and stared at the ID photo and the personnel file of Bissel, Blair, level-two operative.
    “Goddamn! Goddamn!” She was grinning now, as wildly as Roarke. “We got us a freaking spook!”

Chapter 7
    “You have a dead spook,” Roarke pointed out. “I wonder if that’s redundant.”
    “It makes sense. Don’t you see?” She punched him lightly on the shoulder. “Who gets through security slicker than a spook?”
    “Well, foregoing modesty, I must point out that I—”
    “You don’t have any modesty to forego. Bissel was HSO, so it jibes for him to have all those blocks on his studio, for him to hook up with a security expert, and for him to be dead.”
    “Assassinated by another spook, national or foreign.”
    “Exactly. They knew about Bissel and Kade, and when the time was right they let Reva know. Set her up to take the fall.”
    “Why? What’s the point in framing an innocent woman?”
    Frowning, she studied the screen. He looked like an ordinary man, she thought. Good-looking, if you went for the smooth type, but ordinary. That would, she imagined, be part of the point. Spooks needed to blend in to stay spooks.
    “Not sure there has to be a point, but if there is, it could be as simple as not wanting anyone looking too closely at Bissel, taking it on the surface. A philandering husband whacked by his crazed wife in the heat of passion. Homicide comes in, takes a look at the mess, hauls Reva off, and that’s the end of that.”
    “That’s simple enough, but it would’ve been simpler yet to stage a burglary gone wrong and leave Reva out of it.”
    “Yeah.” She looked back at Roarke. “And that tells me she was already in it.”
    “The Code Red.”
    “The Code Red, and other things she’s been working on over the past couple of years.” Jamming her hands in her pocket she began to pace. “This current isn’t your only government or sensitive project.”
    “Hardly.” Roarke studied Bissel’s ID image. “He married her because of her work. Because of what she was rather than who.”
    “Or because of what you are. They’ll have a file on you.”
    “Yes, I’m sure they do.” And he intended to take a look at it before he was done.
    “What’s level two mean? Level-two operative.”
    “I have no idea.”
    “Let’s take a look at his dossier. See when he was recruited.” Thumbs hooked in pockets, she read the data on screen. “Nine years ago, so he wasn’t a rookie. Based in Rome a couple of years, and in Paris, in Bonn. Got around. I’d say his artistic profession would make good cover. Spoke four languages—and that’d be a plus. We know he’s good with the ladies, and that couldn’t hurt.”
    “Eve, look at his recruiter.”
    “Where?”
    With a keystroke, he highlighted a name.
    “Felicity Kade? Son of a bitch. She brought him in.” She held up her hand for silence and paced out her thoughts. “She’d’ve been a kind of trainer to him, seems to me. A lot of times trainers and trainees develop a close relationship. They worked together, and they were lovers. Probably lovers, on and off, all along. They’re a type.”
    “Which type is that?” he wondered.
    “Slick, upper-class, social animals. Vain—”
    “Why vain?”
    “Lots of mirrors, lots of fancy duds, lots of money spent on body and face work, salons.”
    Amused, he studied his fingernails. “One could claim those attributes are simply natural elements of a comfortable lifestyle.”
    “Yeah, if they add up to you. You’ve got a big trunkful of vanity yourself, but it’s not the same as these two. You don’t throw mirrors onto the walls every damn place so you can check yourself out every time you move, like Bissel.”
    Thoughtfully, she glanced back at Roarke and decided if she looked as good as he did, she’d probably spend half the day staring at herself.
    Weird.
    “All those mirrors, reflective surfaces,” she continued when he just smiled at her, “you could argue that was as much lack of confidence as vanity.”
    “That would be my take, but it sounds like a question for Mira.”
    “Yeah.” She would get to that, and soon. “Anyway, they’re a type. Like the artsy scene, and showing themselves off. Even if it’s cover, they have to be into it. And on another level, it must take a certain type to go into covert work, on the long