Love Songs from a Shallow Grave

genesis of a future he could find in the dirt-poor suburbs.
    He went through the back kitchen door and into the garden. He knew that the people in the cellar hadn’t walked in past the sentries at the main gate. There had to be another way in and out. The original white wall around the garden was two metres high but another metre of breeze blocks had been crudely cemented on top of that. That in turn was garnished with ugly broken glass. The breeze-block barrier crossed the side street beside the embassy and climbed another garden wall on the far side before snaking off into the distance like the great wall of China. Siri had no doubt it blocked in every yard and every building in the quarter. The embassy compound was East Berlin.
    Siri was certain that with a pick and ten minutes he could have a hole in that jerry-built wall big enough to climb through. But he’d have every minder in the street on his back before he could remove one brick. No, he had to believe that those who built the wall saw it as a symbolic representation of power. They wouldn’t have imagined anyone in the embassy with the gall to challenge them. He strolled around a muddy garden still lovingly cared for by the Lao. He inspected the original white wall. Where it formed the border to the adjoining yard it was overgrown with a hysterical wisteria. An ornamental rockery leaned against the display with ledges of pansies and other effeminate border plants. From top to bottom ran a sculptured waterfall which no longer spouted.
    Siri climbed to the top of the pile, crushing plants underfoot, and looked into the neighbour’s property. At one time it had been a mechanic’s yard or the car park for some rich man’s automobile collection. It was one large oil-stained slab of concrete. But it had its own brick wall. It ran parallel to that of the embassy and was only a metre and a half tall. Why the neighbour would need a wall of his own and why it wasn’t built flush with the embassy wall he had no idea. But there was a gap, no more than sixty centimetres, between the two. That, Siri was certain, was the way out. He leaned casually onto the top of the wall, glanced back towards the embassy; then, certain there was nobody standing behind him, he slipped over the wall into the gap.
    He felt rather foolish pinned between the two walls and had no idea what he’d do if his theory proved to be wrong. But he sidled to his left to where the Khmer Rouge wall towered above him. The intersecting angle was bricked also but it was apparent that the blocks were not cemented, merely piled one atop the other. From a distance nobody would have noticed. Siri began to disassemble the temporary wall. Brick by brick the far side revealed itself to him. The contrast between the view ahead and the oasis behind was as drastic as that between heaven and hell. The entire block immediately at the back of the embassy compound had been levelled, apparently by a bomb. Rubble and shattered glass and broken lives were strewn fifty metres in either direction. Beyond that, the surviving buildings stood bruised with soot and dejected like mourners around a grave.
    Siri stepped cautiously into this other world and carefully replaced the blocks behind him. It was a peculiar Alice Through the Looking Glass feeling. He had the overwhelming sense of being behind the set at a film lot. Backstage, there was no pretence, no need for flowers and new paint. He picked his way through the debris until he was on a dirt street. There were no body parts amongst the rubble. No flies in search of lunch. The only sounds were far off and there was no movement. No birds, no dogs, no life. The buildings on either side seemed to stoop forward with curiosity to watch him pass. Some doors were open, others were padlocked. Those windows with glass were shattered. Every building had its own unique display of dead plants: dead orchids in half-coconut shells hanging from an awning, dead crown-of-thorns in a row of coloured pots, dead vines climbing a three-storey building, losing their grip, hanging over the street suspended in free fall.
    Another street, open doors and front yards with small cemeteries of dead consumer goods. A toaster oven. A television. A rice cooker. Like fish washed up on a river bank, no life source. No point. Embarrassed cars stripped bare, left with only their carcasses. A dove in a rattan cage, unfed, feathers on a white ribcage. Broken bone china cups crunching underfoot. At each