Luck in the Shadows
The third window, scarcely large enough to admit a child, was secured with a single shutter.
During a lesson on housebreaking, Seregil had once remarked that the way least likely was often least barred. Alec pulled a thin strip of limewood from the roll and worked it around the edges of the shutter. In less than a minute he found the two hooks securing it. These yielded readily and the shutter swung back to expose a small panel of leaded glass. The room beyond was quite dark.
Praying that any occupant would have set up an alarm by now, he went to work with the wire again and threw the single hasp lock with no difficulty at all. The pane swung in on silence. Slipping the tools back into his coat, Alec pulled himself up by the window frame and wriggled in feet first. Lowering himself into the room, his foot struck something that overturned with a clatter.
He dropped in with his back to the wall and listened for an outcry; none came. Groping in the darkness, he pulled out the lightstone.
An overturned washstand lay on the floor beside him.
Thank the gods for carpets! he thought wryly, righting it and replacing the basin and pitcher.
The spacious bedchamber was plainly furnished by Rhнminee standards. A broad bed with hangings of translucent silk took up much of one end of the room. A dressing gown draped carelessly across the foot and a thick book propped open against the bolsters, together with the remains of a fire on the marble hearth, all warned of recent occupation.
There were several tall wardrobes and chests against the other walls. A gaming table stood next to the single deep armchair drawn up before the fireplace.
Thick, patterned carpet gave underfoot as Alec moved across to an interior door. Finding it unlocked, he pocketed the light and took a cautious peek through.
A corridor ran the length of this level, with several other doors on each side. Halfway down the right-hand wall was a staircase leading down.
Light came up from below, and with it music and the sounds of lively conversation.
Alec stepped out into the corridor and closed the door of the bedroom behind him. Picturing the location of the study, he moved quickly down the corridor to a pair of doors at the far end. The one in question was secured with a complicated lock.
Feeling nervous and exposed, Alec tried one pick and then another. Twirling a third in, he closed his eyes and explored the wards by feel.
The master of the house evidently set great value on privacy; like those on the windows, this was no common device. The endless lessons at Seregil's workbench paid off, however. The lock gave and he was in.
A writing desk and chair stood between two tall windows overlooking the street. A glance outside found the avenue busier than ever. Pulling the drapes shut, Alec took out the lightstone and sat down to begin his search.
A few items lay arranged in orderly fashion on the polished desktop: ink wells, a bundle of uncut quills, and a sand shaker stood ready on a silver tray beside a tidy stack of parchments.
Next to these was an empty dispatch box. Finding nothing of note, he moved on to the drawers.
The wide central drawer was flanked by two narrow ones. The central one was locked but yielded readily. Inside were packets of correspondence tied up with silk cord, a stick of sealing wax, a sand brush, and a penknife.
The left drawer was lined with silk and contained four locks of hair. Each had been carefully tied up with ribbon and one, a thick curl of raven black, was adorned with a jeweled pin. Reaching over these tokens, Alec found a velvet pouch containing a thick golden ring and a small ivory carving of a nude man.
The third drawer held a more mundane collection-used blotting paper, wax tablets, styluses, a tangled skein of twine, a litter of gaming stones-but nothing resembling a correspondence case. Going to the door, Alec checked the corridor again and then continued with his task.
Pulling out all three drawers, he lined them up and discovered the narrow ones to be a full hand's-breadth shorter than the central.
The desk was a casework piece, enclosed on the bottom as well as the sides. Peering in, he saw that the cavity for the central drawer ran to the back of the desk, separated from the side drawers by thin wooden dividers on either side. These also ran the depth of the desk. Small leather-faced blocks were fixed to the bottom of the cavity to keep the drawer flush with the front skirt when closed.
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