Midnights Children
puzzled. “What’s this now?”
The nuclear physicist Dubash possessed a beautiful marble statuette—a female nude—and with the help of this figurine, his son would give expert lectures on female anatomy to an audience of sniggering boys. Not free; Cyrus-the-great charged a fee. In exchange for anatomy, he demanded comic-books—and I, in all innocence, gave him a copy of that most precious of
Superman
comics, the one containing the frame-story, about the explosion of the planet Krypton and the rocket-ship in which Jor-El his father despatched him through space, to land on earth and be adopted by the good, mild Kents … did nobody else see it? In all those years, did no person understand that what Mrs. Dubash had done was to rework and reinvent the most potent of all modern myths—the legend of the coming of the superman? I saw the hoardings trumpeting the coming of Lord Khusro Khusrovand Bhagwan; and found myself obliged, yet again, to accept responsibility for the events of my turbulent, fabulous world.
How I admire the leg-muscles of my solicitous Padma! There she squats, a few feet from my table, her sari hitched up in fisherwoman-fashion. Calf-muscles show no sign of strain; thigh-muscles, rippling through sari-folds, display their commendable stamina. Strong enough to squat forever, simultaneously defying gravity and cramp, my Padma listens unhurriedly to my lengthy tale; O mighty pickle-woman! What reassuring solidity, how comforting an air of permanence, in her biceps and triceps … for my admiration extends also to her arms, which could wrestle mine down in a trice, and from which, when they enfold me nightly in futile embraces, there is no escape. Past our crisis now, we exist in perfect harmony: I recount, she is recounted to; she ministers, and I accept her ministrations with grace. I am, in fact, entirely content with the uncomplaining thews of Padma Mangroli, who is, unaccountably, more interested in me than my tales.
Why I have chosen to expound on Padma’s musculature: these days, it’s to those muscles, as much as to anything or -one (for instance, my son, who hasn’t even learned to read as yet), that I’m telling my story. Because I am rushing ahead at breakneck speed; errors are possible, and overstatements, and jarring alterations in tone; I’m racing the cracks, but I remain conscious that errors have already been made, and that, as my decay accelerates (my writing speed is having trouble keeping up), the risk of unreliability grows … in this condition, I am learning to use Padma’s muscles as my guides. When she’s bored, I can detect in her fibers the ripples of uninterest; when she’s unconvinced, there is a tic which gets going in her cheek. The dance of her musculature helps to keep me on the rails; because in autobiography, as in all literature, what actually happened is less important than what the author can manage to persuade his audience to believe … Padma, having accepted the story of Cyrus-the-great, gives me the courage to speed on, into the worst time of my eleven-year-old life (there is, was, worse to come)—into the August-and-September when revelations flowed faster than blood.
Nodding signboards had scarcely been taken down when the demolition crews of the Narlikar women moved in; Buckingham Villa was enveloped in the tumultuous dust of the dying palaces of William Methwold. Concealed by dust from Warden Road below, we were nevertheless still vulnerable to telephones; and it was the telephone which informed us, in the tremulous voice of my aunt Pia, of the suicide of my beloved uncle Hanif. Deprived of the income he had received from Homi Catrack, my uncle had taken his booming voice and his obsessions with hearts and reality up to the roof of his Marine Drive apartment block; he had stepped out into the evening sea-breeze, frightening the beggars so much (when he fell) that they gave up pretending to be blind and ran away yelling … in death as in life, Hanif Aziz espoused the cause of truth and put illusion to flight. He was nearly thirty-four years old. Murder breeds death; by killing Homi Catrack, I had killed my uncle, too. It was my fault; and the dying wasn’t over yet.
The family gathered at Buckingham Villa: from Agra, Aadam Aziz and Reverend Mother; from Delhi, my uncle Mustapha, the Civil Servant who had polished the art of agreeing with his superiors to the point at which they had stopped hearing him, which is why he never got promoted;
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