Nobody's Fool
seeing in them their own lost parents and grandparents, most of whom had bequeathed to their children the usual legacy of guilt, along with the gift of selective recollection. Most fathers and mothers did their children the great favor of dying before they began fouling themselves, before their children learned to equate them with urine-soaked undergarments and other grim realities of age and infirmity. Cass knew better than toexpect understanding, and she understood how profound was the human need to see old people as innocent, all evidence to the contrary notwithstanding. Some days, like today, she would have liked to tell everybody in the diner a few things about both her mother and herself. Mostly herself. Sheâd have liked to tell somebody that every time she changed Old Hattieâs stockings, she felt her own life slipping away, that when the old woman made one unreasonable demand after another her hand actually itched to slap her mother into reality. Or Cass might confess her fear that her motherâs death might just coincide with her own need of assistance, since she didnât share her motherâs ferocious will to keep breathing at all costs. Indeed, she was grimly pleased that she was childless, which meant that when her own time came thereâd be no one upon whom sheâd be an unwanted burden. Whoever got the job would be paid for doing it.
This morning Hattieâs was busy as usual. Between 6:30 and 9:30 on weekdays, Roof, the black cook, could not fry eggs fast enough to fill all the Hattieâs Specialsâtwo eggs, toast, home fries and coffee for a dollar forty-nine. When Sully and Rub arrived, there was no place for them to sit, either at the short, six-stool counter or among the dozen square formica booths, though a foursome of construction workers was stirring in the farthest. Old Hattie herself occupied the tiny booth, half the size of the others, nearest the door, and Sully, to Rubâs dismay, slid gingerly into the booth across from the old lady, leaving Rub in the crowded doorway. âHow are you, old woman?â Sully said. Hattieâs milky eyes located him by sound. âStill keeping an eye on business, I see.â
âStill keeping an eye on business,â Hattie repeated, nodding vigorously. âStill keeping â¦â Her attention was diverted, as it was during all conversations, by the ringing of the cash register, the old womanâs favorite sound. She had manned the register for nearly sixty years and imagined herself there still, each time she heard it clang. âAh!â she said. âAh â¦â
âThereâs a booth,â Rub said when the road crew got up with their checks and started for the register.
âGood,â Sully said. âGo sit in it, why donât you.â
Rub hated being dismissed this way, but he did as he was told for fear of losing the booth. It was the perfect booth, in fact, the last in the row, away from traffic, where he could beg a loan from Sully in relative privacy, the threat of interruption greatly reduced.
âWhat do you say we go dancing some night?â Sully suggested to Hattie in a loud voice, partly because the old woman was hard of hearing,partly because their conversations were much enjoyed by the regulars at the lunch counter, several of whom rotated on their stools to watch.
âDancing?â Hattie said, then bellowed, âDancing!â
Now everyone turned and looked.
âWhy not?â Sully said. âJust you and me. First dancing, then weâll go over to my place.â
A sly grin crossed the old womanâs face. âLetâs just go to your place. Nuts to the dancing.â
âOkay,â Sully said, winking at Cass, who was watching now also, with solemn disapproval, as usual.
âJust tell me one thing!â Hattie shouted. When she got revved up, her voice always reminded Sully of walruses at the zoo. âWho are you?â
âWhat do you mean, who am I?â Sully said in mock outrage. âWhat are you, blind?â
âYou
sound
like that darn Sully.â
âThatâs who I am, too,â Sully told her.
âWell, Iâm too old to dance,â Hattie said. âIâm too old for your place too. You live on the second floor.â
âI know it,â Sully said, massaging his knee. âI can hardly get up and down those stairs myself.â
âHow old are you?â Hattie
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