Not Dead Yet

twenty-first year with Sussex Police. Just under five feet eleven inches tall, he kept his figure in shape by relentless exercise. His fair hair was cut short and gelled, thanks to his styling guru, Glenn Branson, and his nose, squashed and kinked after being broken in a scrap when he’d been a beat copper, gave him the air, on first acquaintance, of a retired prize fighter. His wife, Sandy, now missing for almost a decade, once told him he had eyes like Paul Newman. He’d liked that a lot, but had never quite believed it. He just considered himself a regular guy, unexceptional, doing a job he loved. Although, despite his years working on homicides, human skulls always spooked him.
    Most police officers claimed they got used to dead bodies, in any form, and that nothing bothered them, except for children. But every body he encountered still bothered Grace, even after all his years in this job. Because every corpse was once a person loved by their family, their friends, their lover, however fleetingly for some tragic people that might have been.
    At the start of his career he had promised himself that he would never turn cynical. Yet for some of his colleagues, becoming a cynic, alongside gallows humour, was their emotional carapace. Their way of staying sane in this job.
    All the dead man’s component parts that they’d recovered so far had been neatly and precisely laid out by the forensic archaeologist, Joan Major. It was like a flat-packed piece of furniture that had arrived from a DIY store with some key bits missing, he thought, suddenly and irreverently.
    Operation Violin , on which he was the Senior Investigating Officer, was winding down. It was the investigation into two revenge murders and an abduction. Their prime suspect, who had been identified by New York detectives as a known Mafia contract killer, had disappeared. It was possible he had drowned attempting to avoid arrest, but equally likely, in Grace’s view, he had left the country and could now be anywhere in the world, under one of the host of aliases he was known to use – or, more probably, a new one.
    Nearly four weeks on from the suspect’s disappearance, Operation Violin had moved into slow time . Back on the roster as Duty SIO for this week, Roy Grace had stood down most of his team, retaining just a small workforce to liaise with the US. But there was one more element to the operation that remained – and lay in front of him now. And time didn’t get much slower than for fully decomposed, and picked clean, skeletal remains. It had taken the best part of a week for the Specialist Search Unit’s team to cover every inch of the massive tunnel and surrounding inspection shafts, and to recover the remains, some of which had been scattered over a wide area by rodents.
    The Home Office pathologist, Dr Frazer Theobald, had done much of his painstaking post-mortem in situ, before the remains were brought here last night, without being able to come to any conclusions as to the cause of death. He had departed a few minutes ago. Without any flesh or body fluids, with the absence of any signs of damage to either the skull or the bones, such as from a heavy instrument or a knife or a bullet, the chances of finding the cause of death were slim.
    Several members of the investigating team remained in the room, gowned up like himself in green pyjamas. Cleo Morey, Grace’s fiancée, thirty-two weeks pregnant, was the Senior Anatomical Pathology Technician, as the Chief Mortician was officially termed. Her green PVC apron lay draped over the bulge of their baby, as she slid a body wrapped in white plastic sheeting out of a door in the floor-to-ceiling bank of refrigerators, eased it on to a trolley and wheeled it through into another section of the room, to prepare it for a post-mortem.
    Philip Keay, the Coroner’s Officer, a tall, lean man, with swarthygood looks beneath short dark hair and bushy eyebrows, remained dutifully present, although engrossed at this moment with his BlackBerry.
    This stage of the investigation, which was focused on trying to establish the identity of the dead man, was being led by Joan Major, a pleasant-looking woman, with long brown hair and fashionably modern glasses, who had a quietly efficient manner. Grace had worked with her several times in the past, and he was always impressed by her skills. Even to his experienced eye, all skeletons looked much the same. But to Joan Major, each was as individual as a