Pow!

moment, I hear a loud crash and look to see the Horse Spirit crumble to the floor, now a mere pile of clay. And then the lights go out. It's the middle of the night and I can't see a soul. I remove my dark glasses and am treated to a resplendent night sky, with strange white figures a-dance on the stage. Bats fly in and out, birds in the trees flap their wings, the temple grounds are alive with the chirp of insects. Let me hurry and finish my tale, Wise Monk —

    The moon was out in all its glory that night, the air was fresh and clean and the peach trees sparkled as if varnished. Even the mule's hide seemed to glow. We fixed an old wooden frame to its back, tied three cases of mortar shells to each side and then set the seventh case on top. The old couple took care of the cases as if they had been doing this every day. The mule bore its burden stoically, its fate tied to the couple, almost as if it were their son.

    We left the peach grove and headed down the road towards the village. Winter had begun to settle in, and though there was no wind the moonlight brought a chill to the air; a layer of frost painted the roadside plants a pale white. Off in the distance, someone was burning dead grass, creating an arc of fire like a red flood engulfing a sandy beach. The boy they'd sent to fetch me, who looked to be seven or eight years old, walked in front of us and led the mule along. He had on a tattered coat that nearly covered his knees, secured at the waist by a white electric wire. Barelegged and barefoot, his head a mass of wild hair, he had the spirit of a raging prairie fire. What was I compared to him? A corrupt youngster, a shameful degenerate. Time to pull myself together. This was too good an opportunity to let pass. I had to fire these forty-one mortar shells on this lovely moonlit night, rock the air with a series of explosions and cement my status as a hero of my age.

    The old couple walked beside the mule, one on each side to steady the cases. He was wearing a shearling coat and a dog-skin cap, with a pipe behind his neck, a quintessential old-style peasant. She'd once had bound feet—now freed—and each raspy breath that broke through the surrounding silence let us know how painful every step was for her. I walked behind the mule, vowing to model myself on the boy up front, the old man and the woman and the me of my childhood. On this night, walking amid the icy moonbeams, I would fire my forty-one mortar shells, explosions that would shake heaven and earth and bring life to a village as dead as a stagnant pool. And I would keep the memory of this night alive. One day Luo Xiaotong would become a mythical figure, his tale passed down through the ages.

    And so we walked through the wilderness, followed by a variety of inquisitive wild creatures. They shadowed us warily, their bright eyes like little green lanterns, as curious as a pack of children.

    The pleasant, melodic tattoo of the mule's hooves told us that we'd entered the village on its concrete roadway. There were a few gleams of light. The village was quiet, the streets deserted. A village dog cozied up to the strange animals following us but was sent yelping into a nearby lane with a bite. Moonlight made the streetlights superfluous. An iron bell on the tall scholar tree at the village entrance, a relic from the commune days, looked dark green in the light. Once upon a time its every peal had been a command.

    Our entry into the village went unnoticed but we would not have been deterred even if it hadn't. No one would have imagined that our mule carried forty-one mortar shells; if we'd tried to explain, they'd just have been even more convinced that Luo Xiaotong was a ‘powboy’. In my village ‘pow’ also meant to brag and to lie. Children who boasted and who shot off their mouths were called powboys. That nickname didn't cause me any shame, though. It actually made me proud. Our revolutionary leader Sun Yat-sen bore the resounding nickname of Big Pow Sun, though he'd himself never fired a gun. Luo Xiaotong was about to surpass Sun Yat-sen in that regard. The weapon was ready for action, carefully hidden at home where I'd babied it by restoring every part to its original condition. The shells seemed to have dropped from the skies, each smeared with grease, awaiting only a careful cleaning to shine. The mortar tube called out for the shells; the shells longed for the tube, just as the Wutong Spirit called out for beautiful women, who in