Pulse
need the island to stay as still and unchanging as possible. He wouldn’t come back if jets started landing on tarmac.
He checked in his holdall at the counter, and they went outside. Hanging over a low wall, Calum lit a cigarette. They looked out across the damp and bumpy sand of the cockle beach. The cloud was low, the windsock inert.
‘These are for you,’ said Calum, handing him half a dozen postcards. He must have bought them at the café just now.Views of the island, the beach, the machair; one of the very plane waiting to take him away.
‘But …’
‘You will be needing the memory.’
A few minutes later, the Twin Otter took off straight out across Orosay and the open sea. There was no farewell view of the island before that world below was shut out. In the enveloping cloud, he thought about marriage lines and buttons; about razor clams and island sex; about missing bullocks and fulmars being turned into oil; and then, finally, the tears came. Calum had known he would not be coming back. But the tears were not for that, or for himself, or even for her, for their memories. They were tears for his own stupidity. His presumption too.
He had thought he could recapture, and begin to say farewell. He had thought that grief might be assuaged, or if not assuaged, at least speeded up, hurried on its way a little, by going back to a place where they had been happy. But he was not in charge of grief. Grief was in charge of him. And in the months and years ahead, he expected grief to teach him many other things as well. This was just the first of them.
TWO
The Limner
MR TUTTLE HAD been argumentative from the beginning: about the fee – twelve dollars – the size of the canvas, and the prospect to be shown through the window. Fortunately, there had been swift accord about the pose and the costume. Over these, Wadsworth was happy to oblige the collector of customs; happy also to give him the appearance, as far as it was within his skill, of a gentleman. That was, after all, his business. He was a limner, but also an artisan, and paid at an artisan’s rate to produce what suited the client. In thirty years, few would remember what the collector of customs had looked like; the only relic of his physical presence after he had met his Maker would be this portrait. And in Wadsworth’s experience, clients held it more important to be pictured as sober, God-fearing men and women than they did to be offered a true likeness. This was not a matter that perturbed him.
From the edge of his eye, Wadsworth became aware that his client had spoken, but did not divert his gaze from the tip of his brush. Instead he pointed to the bound notebook in which so many sitters had written comments, expressed their praise and blame, wisdom and fatuity. He might as well open the book at any page and ask his client to identify a remark left by a predecessor ten or twenty years before. The opinions of this collector of customs so far had been as predictable as his waistcoat buttons, if less interesting. Fortunately, Wadsworth was paid to represent waistcoats rather than opinions. Of course, it was more complicated than this: torepresent the waistcoat, and the wig, and the breeches, was to represent an opinion, indeed a whole corpus of them. The waistcoat and breeches showed the body beneath, as the wig and hat showed the brain beneath; though in some cases it was a pictorial exaggeration to suggest that any brains lay beneath.
He would be happy to leave this town, to pack his brushes and canvases, his pigments and palette, into the small cart, to saddle his mare and then take the forest trails which in three days would lead him home. There he would rest, and reflect, and perhaps decide to live differently, without this constant travail of the itinerant. A pedlar’s life; also a supplicant’s. As always, he had come to this town, taken lodgings by the night, and placed an advertisement in the newspaper, indicating his competence, his prices and his availability. ‘If no application is made within six days,’ the advertisement ended, ‘Mr Wadsworth will quit the town.’ He had painted the small daughter of a dry-goods salesman, and then Deacon Zebediah Harries, who had given him Christian hospitality in his house, and recommended him to the collector of customs.
Mr Tuttle had not offered lodging; but the limner willingly slept in the stable with his mare for company, and ate in the kitchen. And then there had been that incident
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