Red Bones (Shetland Quartet 3)
you’ve taken the time to talk to me.’
‘I thought you should know that four years ago Hattie was a victim of a criminal assault,’ Evans said. ‘It might not be relevant, but it seemed important to tell you.’
‘We have no record of that.’ As he spoke Perez hoped that was true. They had checked Hattie’s name against the criminal records. That was standard procedure but if she’d been a victim would that fact have come to light?
‘She never reported the matter to the police,’ Evans said.
‘Why not?’
‘A number of reasons. She’d suffered a severe bout of depression a couple of years earlier. There had been occasions of psychosis. She didn’t think she’d be believed. Perhaps she even felt she was responsible. She wouldn’t even talk to her mother about it.’
In his quiet, reassuring voice Evans described the incident, as he understood it had taken place. He was clearly angry. When he’d finished, Perez could understand why.
‘You realize there’s no proof,’ he said. ‘They might not have got a prosecution even then.’
‘I do realize that,’ Evans said. ‘I probably shouldn’t have told you. It’s very unprofessional. I couldn’t discuss it with Mrs James. I just wanted you to know. After all, Hattie’s not here to tell you herself.’
Chapter Thirty-two
Sandy woke early. He was lying in Mima’s high double bed. His mother had given him clean sheets to put on it, but the blankets had belonged to Mima. They smelled of peatsmoke and damp like the rest of the house. The sheet was wrinkled uncomfortably underneath him. He’d never quite got the hang of making beds the old-fashioned way. He liked fitted sheets and a duvet.
On the wall in front of him there was a photograph he hadn’t noticed before. Two women walking down a dirt track. It was taken on Whalsay but before any of the roads had been made up. On their backs they had the rush baskets or kishies that were used for carrying peat and they were so full that he could see the peat piled behind their shoulders. They were wearing old-fashioned bonnets and skirts below their knees, heavy boots. And as they walked they were knitting; the wool was held in apron pockets, their elbows were close to their bodies. They smiled towards the camera, poised for a moment, but you could tell the needles would begin clacking again as soon as the shot was over. Sandy wondered if they were knitting just for the fun of it, or because raising peat was boring, or because they were so busy that this was the only time there was in the day to provide clothes for their children. Or if they did it to make money. It was the sort of thing his mother might do, Sandy thought. Not exactly like the women in the old photo, but working at several things at once, because Evelyn liked to be active and because she needed to hold the family together.
He lay for quite a long time staring at the photograph. He didn’t think either of the women was Mima. She’d been much better-looking than they were and she’d never been a knitter. ‘I don’t have the patience for it,’ she’d said when he’d asked as a child why she didn’t knit like the other grandmothers. Then he thought about his father who’d gone to school in dirty clothes because Mima didn’t have the patience for washing either. Sandy didn’t think now he’d have preferred Mima as his mother; at least Evelyn had always fed them well and kept them clean.
Michael and his family were going south on the afternoon plane. Evelyn and Joseph were travelling down to the airport in Sumburgh to see them off. Sandy thought that might give him a chance to go into Utra and have a look round the house without his parents asking questions. His uneasiness about what had been going on there had grown in the last few days. Michael’s words about their parents’ future had brought it into sharper focus. He thought that was what had made his father so tense too – a vague anxiety that things weren’t quite right.
In Mima’s kitchen he made himself coffee and dialled Perez’s mobile. He hadn’t seen the inspector at all the previous day and he felt disconnected from the case. He’d enjoyed being at the centre of things during the investigation, responsible for making things happen. The inspector’s number was busy. He took his coffee outside. He felt the stirrings of hunger. His mother would be cooking breakfast for the whole lot of them in Utra but he didn’t think he could face that:
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