The Book of Air and Shadows
inadvertently shot his comrade, who had heroically attempted to grab me from behind and had thus moved into the line of fire. The wounded man screamed in a foreign language (probably Russian) and sat down on the coffee table, collapsing it, and as he opened the target I shot the third man twice in the chest. He dropped to the floor and poured blood.
I would say that about forty-five seconds had elapsed since we heard that first shot. I have an image of myself standing there with the pistol in my hand while the thug from whom I had taken it slowly rose from the splinters of the coffee table. He was holding himself crooked, as if he had aged forty years in that short time. He looked me in the eye and backed away from me, shuffling. My ears were ringing from the shots, but it seemed that there was still gunfire coming from the street, and I wondered, rather abstractly, what was going on. I made no move to stop the man and when he saw my indifference he turned and dragged himself slowly from the room. No one attempted to stop him.
All of that is remarkably clear and burned into my memory, and has formed the theme of many nightmares since: I awake sweating, imagining that I have killed two men, and then it hits me that it is not a dream, that I really have killed them. A uniquely unpleasant experience. It is actually quite difficult to kill someone with a handgun unless the bullet strikes and destroys the heart or the brain, or creates internal bleeding, for pistol bullets are not terribly powerful. A standard 9 mm round generates about 350 foot-pounds of energy at the muzzle, which is no fun if it hits you, but not absolutely devastating, which is why you get those situations where the cops shoot someone forty times. Cops are trained to keep shooting until the target is down, and occasionally it takes that much lead to do it. Rifle bullets are vastly more powerful, and this is why soldiers carry rifles. A 30.06 round hits with nearly three
thousand
foot-pounds, and yes I am avoiding the next part with this bumf, which I got from my brother during his glorious military career, because the memory is both horrible and vague in that bad-dream way where you imagine that it might even have been worse than you recall, a supposition supported in the aftermath when, from time to time, a mercifully forgotten detail will bob up out of the dark to appall you anew.
So here I am standing amid the gun stink and the Crosetti children are gathered around their mother lifting her to her feet and placing her on the couch and she is absolutely covered in blood and tissue bits from the wounds of the guy whose brains I just blew out. I am looking down at the dead face of the third man: I only shot him twice but obviously I got lucky because he’s clearly dead, the eyes half-open, the face white and slack, the blood pool is huge, the size of a small trampoline. A good-looking guy, late twenties. Well, I don’t care to study him, nor the fellow with his brains spattered over Mrs. Crosetti’s end table, so I stroll over to the window and shift the blinds, and I see a gun battle going on, whose participants are a guy from the black SUV, a man shooting over the hood of a Cadillac hearse, whom I’ve never seen before, and Omar, shooting from behind the Lincoln. Somehow, I can’t get interested in this, it all seems so far away, and now I notice that my knees are shaking so badly that I literally can no longer stand up. I therefore fall into an easy chair. I hear sirens, although at first it is hard to distinguish these from the ringing in my ears. Now there is a transition that I can’t quite recall, although perhaps Mrs. Crosetti asked me how I was doing.
Then, somehow, the room was full of shouting cops, the kind with submachine guns, helmets, and black uniforms, rather like the ones my granddaddy wore. (And how did American police come to dress like the SS, and how come no one objected to it? Or to the Nazi-style helmets our troops now wear? Where are the semioticians when we need them? All bitching about Shakespeare, probably.) Many of these submachine guns were pointed at me and I realized I was still holding the handgun on my lap, like a lady holds a purse at the opera.
I was made to lie prone and I was cuffed, but I did not get arrested, since the person directing the invasion had been a colleague of the late Lieutenant Crosetti and was, therefore, inclined to listen to sense from Mrs. Crosetti, or Mary Peg, as she has since asked
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