The German Genius

327.
70. Coser, Refugee Scholars , p. 269.
71. Ibid., p. 255.
72. Erwin Panofsky, Meaning in the Visual Arts (New York: Overlook Press, 1974), p. 332.
73. Michael Ann Holly, Panofsky and the Foundations of Art History (Ithaca, N.Y., and London: Cornell University Press, 1984), pp. 21ff.
74. Ibid., pp. 158ff.
75. Hans Hofmann (introduction by Sam Hunter), Hans Hofmann , New York: Harry N. Abrams, 1979, p. 10 fn .
76. Heilbut, Exiled in Paradise , p. 137.
77. Ibid., p. 141.
78. Ibid., p. 222.
79. Joseph Horowitz, Wagner Nights: An American History (Berkeley: University of California Press, 1994), quoted in Joseph Horowitz, Artists in Exile: How Refugees from Twentieth-century War and Revolution Transformed the American Performing Arts (New York: HarperCollins, 2008), p. xvi.
80. C. D. Innes, Erwin Piscator’s Political Theatre: The Development of Modern German Drama (Cambridge: Cambridge University Press, 1972), p. 69. And see George Buehler, Berthold Brecht, Erwin Piscator: Ein Vergleich ihrer theoretischen Schriften (Bonn: Bouvier, 1978), pp. 126–131 for a comparison of Brecht and Piscator.
81. John Fuegi, Brecht & Co.: Biographie (Hamburg: Europäische Verlagsanstalt, 1997), pp. 636–643.
82. Heilbut, Exiled in Paradise , p. 176. See also Ronald Speirs, ed., Brecht’s Poetry of Political Exile (Cambridge: Cambridge University Press, 2000).
83. Fuegi, Brecht & Co. , pp. 610–611.
84. Heilbut, Exiled in Paradise , p. 299.
85. All the quotes are from Heilbut, Exiled in Paradise , p. 321.
86. Peter Goodchild, Edward Teller: The Real Dr. Strangelove (London: Weidenfeld & Nicolson, 2004), p. 26. The Ian Jacobs quote about the relative merits of German scientists is given in Andrew Roberts, The Storm of War (London: Allen Lane, 2009), p. 573.
87. See Edward Teller, A Twentieth-century Journey in Science and Politics , with Judith L. Shoolery (Cambridge, Mass.: Perseus Publishing, 2001), pp. 177–178, for the initial falling-out. And see Edward Teller, Better a Shield than a Sword: Perspectives on Defense and Technology (New York: Free Press; London: Collier Macmillan, 1987), pp. 115f., for the beginnings of secrecy in physics.
88. Silvan S. Schweber, In the Shadow of the Bomb: Bethe, Oppenheimer, and the Moral Responsibility of the Scientist (Princeton, N.J., and Chichester: Princeton University Press, 2000), pp. 107–114. See also Kati Marton, The Great Escape: Nine Jews Who Fled Hitler and Changed the World (New York and London: Simon & Schuster, 2007), pp. 184–187.
89. Goodchild, Edward Teller . Neumann and Oskar Morgenstern were experts on game theory, considered important for a grounding in strategy. See John von Neumann and Oskar Morgenstern, Theory of Games and Economic Behaviours (Princeton, N.J.: Princeton University Press, 1953), pp. 46ff. and 587ff. Neumann also helped develop computers.
90. John W. Dawson, Logical Dilemmas: The Life and Work of Kurt Gödel (Wellesley, Mass.: A. K. Peters, 1997), pp. 176–178.
91. Palle Yourgrau, A World without Time: The Forgotten Legacy of Gödel and Einstein (New York: Basic Books, 2005), pp. 94–95.
92. Ibid., p. 6.
93. Ibid., p. 115.
94. David Ketter and Herbert Lauer, eds., Exile, Science, and Bildung (New York: Palgrave, 2005), pp. 2–3.
    C HAPTER 40: “H IS M AJESTY ’s M OST L OYAL E NEMY A LIENS ”
     
1. General references on German exiles of note are given in Chapter 38, note 2, and Chapter 39, note 4. In addition, sources for Great Britain include Gerhard Hirschfeld, ed., Exile in Great Britain: Refugees from Hitler’s Germany (Leamington Spa: Bergs for the German Historical Institute, London, 1984), which is mainly concerned with the political and industrial effects. William Abbey, et al., eds., Between Two Languages: German-speaking Exiles in Great Britain, 1933–1945 (Stuttgart: Hans-Dieter Heinz, 1995), includes an interesting section on Germans who tried to warn Britain about the Nazis, and a section on German writers and dramatists writing in English. Panikos Panayi, ed., Germans in Britain since 1500 (London: Hambledon Press, 1996), gives a longer-term perspective.
2. Daniel Snowman, The Hitler Emigrés (London: Chatto & Windus, 2002), pp. 12–13.
3. Rudolf Bing, 5,000 Nights at the Opera (London: Hamish Hamilton, 1972), p. 86.
4. For Dartington, see William Glock, Notes in Advance (Oxford: Oxford University Press, 1991), pp. 57–77. See also John Hodgson, Mastering Movement: The Life and Work of Rudolf Laban (London: Methuen, 2001).
5.