The German Genius

Rudolf Ernst Peierls, Atomic Histories (Woodbury, N.Y.: AIP Press, 1997), pp. 187ff, for his own role.
6. Snowman, Hitler Emigrés , p. 104.
7. Georgina Ferry, Max Perutz and the Secret of Life (London: Chatto & Windus, 2007), pp. 63–65.
8. Helen Fry, The King’s Most Loyal Enemy Aliens: Germans Who Fought for Britain in the Second World War (Stroud: Sutton, 2007).
9. Snowman, Hitler Emigrés , p. 135.
10. Charles Drazin, Korda: Britain’s Only Movie Mogul (London: Sidgwick & Jackson, 2002), pp. 221–229.
11. Snowman, Hitler Emigrés , p. 135.
12. Ibid., pp. 169–170.
13. Richard Woodfield, ed., Reflections on the History of Art: Views and Reviews (Oxford: Phaidon, 1987), p. 231. Gombrich somewhat overshadowed Norbert Lynton (born Loewenstein in Berlin in 1927), who became director of exhibitions at the Arts Council, and in his many books did so much to promote contemporatry British art, with studies of Kenneth Armitage, Victor Pasmore, and William Scott.
14. Snowman, Hitler Emigrés , p. 276. For the Neuraths, see Times (London), April 18, 2009, pp. 44–45.
15. E. J. Hobsbawm, Interesting Times: A Twentieth-century Life (London: Allen Lane, 2002), p. 335.
16. Ben Barkow, Alfred Wiener and the Making of the Holocaust Library (London: Valentine Mitchell, 1997). See pp. 51 and 104 for the conception of the idea.
17. Christhard Hoffmann, ed., Preserving the Legacy of German Jewry: A History of the Leo Baeck Institute, 1955–2005 (Tübingen: Mohr Siebeck, 2005).
18. Glock, Notes in Advance , pp. 78–86.
19. Alison Garnham, Hans Keller and the BBC: The Musical Conscience of British Broadcasting, 1959–1979 (Aldershot: Ashgate, 2003), pp. 63ff.
20. See, for example, Martin Esslin, The Field of Drama: How the Signs of Drama Create Meaning on Stage and Screen (London: Methuen, 1987), which concentrates on Shakespeare, Ibsen, Goethe, Schiller, and Beckett.
21. Snowman, Hitler Emigrés , pp. 404, 408.
22. Muriel Nissel, Married to the Amadeus: Life with a String Quartet (London: Giles de la Mare, 1998), p. 7.
23. Ronald Grierson, A Truant Disposition (Faversham, Kent: Westgate, 1992).
24. Elisabeth Young-Bruehl, Anna Freud: A Biography (London: Macmillan, 1989), pp. 246–257. Uwe Henrik Peters, Anna Freud: Ein Leben für das Kind (Munich: Verlegt bei Kindler, 1979), pp. 238–251.
25. Young-Bruehl, Anna Freud , pp. 24–29.
26. Ibid., pp. 163–184.
27. Phyllis Grosskurth, Melanie Klein: Her World and Her Work (London: Hodder & Stoughton, 1986). Pearl King and Riccardo Steiner, The Freud-Klein Controversies, 1941–1945 (London: Tavistock/Routledge, 1991), contains long transcripts of many meetings where the disagreements were thoroughly aired, with other well-known psychiatrists taking part—Michael Balint, Edward Glover, Susan Isaacs, and John Bowlby.
28. Julia Kristeva, Melanie Klein , trans. Ross Guberman (New York: Columbia University Press, 2001), p. 73.
29. Richard Kilminster, Norbert Elias: Post-philosophical Sociology (Abingdon and New York: Routledge, 2007), pp. 72ff.
30. Norbert Elias, The Germans .
31. Sinisa Maleseviand Mark Haugaard, Ernest Gellner and Contemporary Social Thought (Cambridge: Cambridge University Press, 2007), pp. 125–139 and 168–186.
32. He came on the Kindertransport —8,000–10,000 children were shipped out before September 1939. See Mark Harris and Deborah Oppenheimer, Into the Arms of Strangers: Stories of the Kindertransport (London: Bloomsbury, 2000) for firsthand accounts and vivid photographs.
33. Catherine Lampert, Norman Rosenthal, and Isabel Carlisle, Frank Auerbach: Paintings and Drawings, 1954–2001 (London: Royal Academy of Arts, 2001), p. 111. See also Robert Hughes, Frank Auerbach (London: Thames & Hudson, 1990).
    C HAPTER 41: “D IVIDED H EAVEN ”: F ROM H EIDEGGER TO H ABERMAS TO R ATZINGER
     
1. Steve Crawshaw, An Easier Fatherland: Germany in the Twenty-first Century (London: Continuum, 2004), p. 25.
2. Ibid., p. 15.
3. Wolfgang Schivelbusch, In a Cold Crater (Berkeley and London: University of California Press, 1998), p. 2.
4. Eva Kolinsky and Wilfried van der Will, eds., The Cambridge Companion to Modern German Culture (Cambridge: Cambridge University Press, 1998), p. 297.
5. J. Christoph Bürkle, Hans Scharoun und die Moderne: Ideen, Projekte, Theaterbau (Frankfurt am Main: Campus, 1986), pp. 141ff.
6. Kolinsky and van der Will, eds., The Cambrdige Companion to Modern German Culture , p. 299.
7. Schivelbusch, In a Cold Crater , p. 2.
8. Ibid.,