The Glass Books of the Dream Eaters
tray and did so, pouring a small amount of the ruby port into an identical glass, replacing the heavy stopper, and sitting. She breathed in the sweet, medicinal odor of the liquor but did not drink, for something about the smell made her throat clench.
“So…,” Miss Temple continued, “we were
both
at Harschmort House—”
“What of the Comte d’Orkancz,” the woman said, interrupting her
again
. “Do you know
him
?”
“Oh, certainly. We were just speaking,” replied Miss Temple.
“Where?”
“Just here in the hotel, of course. Apparently he has other urgent business and cannot join us.”
For a moment she thought the woman was going to stand, but she could not tell if her desire was to find the Comte or run away, startled at his being so near. It was the sort of moment where Miss Temple felt the strange injustice of being a young woman of perception and intelligence, for the more deeply her understanding penetrated a given situation, the more possibilities she saw and thus the less she knew what to do—it was the most unfairly frustrating sort of “clarity” one could imagine. She did not know whether to leap up and stop the woman from leaving or launch into a still more nauseating celebration of the Comte’s masculine authority. What she wanted was for the woman to do some of the talking instead of her, and to have an easy minute in which to sample the port. The very name of the beverage had always appealed to her, as an islander, and she had never before tasted it, as it was always the province of men and their cigars after a meal. She expected to find it as vile as it smelled—she found most liquors of any kind vile on principle—but nevertheless appreciated that this one’s name suggested travel and the sea.
The woman did not stand, but after a poised second or two re-settled herself on her seat. She leaned forward and—as if reading Miss Temple’s frustrated mind—took up her delicate glass and tipped it to Miss Temple, who then took up her own. They drank, Miss Temple appreciating the ruby sweetness but not at all liking the burn in her mouth and throat, nor the queasy feeling she now felt in her stomach. She set it down and sucked on her tongue with a pinched smile. The masked woman had consumed her entire glass and stood up to reach for more. Miss Temple slid the tray back to her—more elegantly than it had been sent—and watched as her companion pulled the decanter from the tray and poured, drank without replacing the decanter, and then to Miss Temple’s frank surprise poured yet again. The woman left the decanter where it was and only then resumed her seat.
Feeling cunning, Miss Temple realized with a sly smile that her disapproval was misplaced, for on the contrary, the drunker and more free-speaking her quarry became the better her inquisition would proceed.
“You have not told me your name,” she said sweetly.
“Nor will I,” snapped the woman. “I am wearing a mask. Are you a fool? Are all of you people fools?”
“I do beg your pardon,” said Miss Temple demurely, repressing the urge to throw her glass at the lady’s face. “It sounds as if you have had a rough time of things today—is there another who has caused you annoyance? I do hope there is something I can do to help?”
The woman sighed tremblingly, and Miss Temple was again surprised—even dismayed a little—at the ease with which even a false kindness can pierce the armor of despair.
“I beg your pardon,” the woman said, her voice just over a whisper—and it seemed then that her companion was a person who very rarely in her life had need to say those words, and that she only voiced them now out of utter desperation.
“No no, please,” insisted Miss Temple, “you must tell me what has happened to make your day so trying, and then together we shall find an answer.”
The woman tossed off the rest of her port, choked for a moment, swallowed with difficulty, then poured again. This was getting alarming—it was not even time for supper—but Miss Temple merely wetted her own lips on her glass and said, “It
is
very delicious, isn’t it?”
The woman did not seem to hear, but began to speak in a low sort of mutter, which when combined with her brittle, sharp voice gave the effect of some circus marvel, one of those disquieting carnival automaton dolls that “spoke” through a strange breathy mix of bladders of air and metal plates from a music box. The sound was not exactly the
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