The Luminaries

that motion comes a new world order, a new perspective on the whole. With the Sun in Capricorn we were reserved, exacting, and lofty in our distance. When we looked upon Man, we sought to fix him: we mourned his failures and measured his gifts. We could not imagine what he might have been, had he been tempted to betray his very nature—or had he betrayed himself without temptation, better still. But there is no truth except truth in relation, and heavenly relation is composed of wheels in motion, tilting axes, turning dials; it is a clockwork orchestration that alters every minute, never repeating, never still. We are no longer sheltered in a cloistered reminiscence of the past. We now look outward, through the phantasm of our own convictions: we see the world as we wish to perfect it, and we imagine dwelling there.

ARIES IN THE THIRD HOUSE
    In which Te Rau Tauwhare goes in search of employment and Löwenthal’s suggestions are rebuffed.
    At the newspaper office on Weld-street, Te Rau Tauwhare found the door propped open with a hatstand, and the sound of whistling issuing from within. He entered without knocking, and passed through the shop to the workroom at the rear, where the paper’s editor, Benjamin Löwenthal, was sitting at his workbench, setting the type for Monday’s edition of the
West Coast Times
.
    In his left hand Löwenthal held a steel composing stick, roughly the size of a schoolboy’s rule; with his right, he selected and deftly fitted tiny blocks of type, their nicks facing outward, onto the square edge of the stick—a task that required him to read not only right-to-left, but also back-to-front, for the galley text was both mirrored and reversed. Once the line was set, he would slide it into the forme, a flat steel tray a little larger than a newspaper broadsheet; beneath each line he slotted thin straps of lead, to create a space between the lines, and occasionally, a raised brass rule, to produce a solid underscore. When he had slid the last line of text into the forme, he fitted wooden quoins around the edge of the tray, tapping them with a mallet to ensure that every block was snug; then he planed the surface of the galley with a piece of two-by-four to ensure each block of type sat at a uniform height. Finally, he dipped his hand-roller in a tray of ink, and coated the entire galleyin a thin film of glossy black—working swiftly, so the ink did not have time to dry—and laid a trembling sheet of newsprint over it. Löwenthal always printed his first proof by hand, so as to check it for errors before committing the galley to the press—though he made few errors of an accidental or careless sort, being, by nature, something of a stickler for perfection.
    He greeted Tauwhare very warmly. ‘I’m sure I haven’t seen you since the night
Godspeed
came to ground, Mr. Tauwhare,’ he said. ‘Can that be true?’
    ‘Yes,’ Tauwhare said, indifferently. ‘I have been in the north.’ He cast his eye over the other man’s workbench: cases of type, pots of ink and lye, brushes, tweezers, mallets, assorted blocks of lead and brass, a bowl of spotted apples, a paring knife.
    ‘Just arrived back, have you?’
    ‘This morning.’
    ‘Well then, I am sure I can guess why you’ve returned.’
    Tauwhare frowned. ‘How can you guess?’
    ‘Why—for the widow’s
séance
! Do I not hit upon it?’
    Tauwhare said nothing for a moment, still frowning. Then he said, with a tone of suspicion, ‘What is a
séance
?’
    Löwenthal chuckled. He put down his composing stick, crossed the room, and took up Saturday’s paper from where it lay folded on the side of the washstand. ‘Here,’ he said. He unfolded it to the second page, tapped an advertisement with his ink-stained finger, and passed the paper to Tauwhare. ‘You ought to come along. Not to the
séance
itself—you need a special ticket for that—but to the party beforehand.’
    The advertisement ran over two columns. It had been printed in a bold eighteen-point type that Löwenthal typically reserved for mastheads and historic headlines only, and it was bordered thickly in black. The Wayfarer’s Fortune, owned and operated by Mrs. Lydia Wells, late of the city of Dunedin, widow to Crosbie, was to open to the public for the first time that very evening. In honour of this occasion Mrs. Wells, a celebrated medium, would condescend to host Hokitika’s inaugural
séance
. This
séance
would be restricted to an elite audience, with