The Science of Discworld II
but ainât?â Ridcully demanded.
âI think he should be here but canât be,â said Rincewind. âLook, these arenât the Shell Midden people, itâs true, but artistically theyâre pretty low down the scale. Their theatre is awful, they havenât got any decent artists, they canât carve a decent statue â this world isnât what it should be.â
âAnd?â said Ponder, still smarting.
Rincewind signalled to the Librarian, who ambled around the table handing out small, green, cloth-bound books.
âThis is another play he will write ⦠is ⦠writing ⦠wrote ⦠will have written,â he said. âI think youâll agree that it could be very important â¦â
The wizards read it. They read it again. They had a huge argument, but there was nothing unusual about that.
âItâs an astonishinâ play, in the circumstances,â said Ridcully, eventually. âAnd some of it is a bit familiar!â
âYes,â said Rincewind. âAnd I think thatâs because heâll write it after listening to you. We need him to. This is a man who can tell the audience, tell the audience that theyâre watching a bunch of actors on a tiny stage and then make them see a huge battle, right there in front of their eyes.â
âDid I miss that bit?â said the Lecturer in Recent Runes, leafing hurriedly through the pages.
âThatâs in another play, Runes,â said Ridcully. âDo try to keep up. Well, Rincewind? Letâs assume, shall we, that weâre going along with your plan? We have to make sure this man exists here and writes this play in this world, do we? Why ?â
âCan I leave that to Stage Two, sir? It will become obvious, I hope,but you never know if there are elves listening.â
The wizards were automatically impressed by the idea that this was a two-stage plan, but Ridcully persisted: âI put it to you, Rincewind, that this is exactly the kind of play elves would want him to write.â
âYes, sir. Thatâs because theyâre stupid. Not like you, sir.â
âWe have Hexâs computational power,â said Ponder. âIt should be possible to make sure he turns up in this world, I think.â
âUm ⦠yes,â said Rincewind. âBut first we have to make the world the kind he can turn up in. This may take a bit of work. Some travelling may be involved. Back in time ⦠for thousands of years â¦â
Firelight glowed off the cave walls. The wizards sat on one side of the fire, on the big rock ledge overlooking the scrubland. The Stinky Cave People sat on the other.
The cave people watched the wizards with something like awe, but only because theyâd never seen people eat like that. It was Ridcully whoâd suggested that people bearing huge amounts of food are welcome practically anywhere, but the other wizards considered that this was just an excuse for him to make a crude but serviceable bow and go and happily slaughter quite a lot of wildlife.
The wildlife was mostly leftovers now. The wizards moaned about the lack of onions, salt, pepper, garlic and, in Rincewindâs case, potatoes, but there was certainly no lack of meat.
Theyâd spent two weeks doing this, in caves across the continent. They were getting used to it, although bowel movements were becoming a problem.
Rincewind, however, was sitting some way from the fire with Burnt Stick Man.
Being good at languages was, here, not such an important skill as simply making yourself understood. But Burnt Stick Man was a quick study, and Rincewind already had several weeks of practice. While the dialogue took place in inflections and emphasis based upon the syllable âgruntâ aided by gestures, the translation went like this:
âOkay, so youâve mastered the idea of charcoal, but may I draw your attention to these pigments I have here? Theyâre Whiiite, very simple, Redddd, like blood, and Yell-low, like, er, egg yolks. Cluck cluckaaargh cackle? And this fourth colour is some sickly brown ochre I found which weâll call for the moment âbaby pooâ.â
âWith you so far, Pointy Hat Man.â This was conveyed by an enthusiastic nod.
âSo hereâs the big tip. Not many people know this,â said Rincewind. âYou take your animals, right, which youâve already been trying to draw, well done, but you
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