The Second Book of Lankhmar

all was tumult and swirling confusion, there was a clangor and a roaring in his ears, the solid water gave way and he and his craft plunged down, down, down, gut-wrenchingly, to the sea's surface and without check or hindrance as far again below it — until he and his dory were suddenly floating in a great tunnel of air floored, walled, and roofed by water, as far below the sea's surface as the water-wall had risen above it — and extending up to that surface just as the wall had stretched down to it. This incredible tunnel was lit silver by the misshapen moon glaring down it and greenish-yellow by a general phosphorescence in its taut, watery walls, from within which monstrous fish-faces moped and mowed at him and nuzzled the dory's hull. The other craft and the metamorphosing woman were gone.
           The weirdness of the scene (together with the horrid transformation of the Sea Wrack woman) had banished his bewitchment and brought all his mind alive. He knelt in the dory's midst, peering about. And now the roaring in his ears increased and a great wind began to blow up the tunnel from the deeps, filling the dory's small sail and driving it along toward the mad moon. As this infernal gale swiftly grew to a hurricane, Fafhrd threw himself flat, anchoring himself by gripping the base of the dory's mast in the bend of his left elbow (for his hook was gone and his right hand had other employment). Silvery-green water flashed by, foam streamed back from the prow. And now a steady thunder began to resound from the deeps behind, adding itself to the tumultuous roaring, and it flashed through his frantic thoughts that such a sound might be caused by the tunnel closing up behind him, further increasing the might of the wind blowing him up this great silvery throat.
           Space opened. The dory leaped like a flying fish, skiddingly struck roiled black water, righted itself, and floated flat — while from behind came a final thunderous crack.
           It was as if the sea herself had spat them forth, then shut her lips.
         10
           In shorter space of time than he'd have thought possible without magic, before even his breathing had evened out, the sea calmed and the dory rode lonely and alone on its dark surface. Southward the moon shone. Its rays gleamed on the fracture where his hook had been bitten off. He realized that his right hand still gripped the neck of the bag he'd grabbed from Cif's ghost (or the Sea Wrack woman, or whatever), while still clipped between his thumb and forefinger was a bent gold arrow.
           Northward a ghostly aurora was glimmering, fading, dying. And in the same direction the lights of Salthaven gleamed, closer than he'd have guessed. He got out the single oar, set it across the stern, and began to scull homeward against the steady breeze, keeping wary watch on the silent black waters all around the dory.
         11
           Fafhrd was once more at archery practice on the heath of gray standing stones, companioned by Gale. But today a brisk north wind was singing in the heather and bending the gorse — forerunner more than likely of winter's first gale ... and still no sign of Seahawk and the Mouser.
           Fafhrd had slept late this morning and so had many another Rime Isler. It had been past midnight when he'd wearily sculled up to the docks, but the port had been awake with the theft of civic treasures and his own disappearance, and he'd been confronted at once by Cif, Groniger, and Afreyt — Rill too, and Mother Grum, and several others. It turned out that after Fafhrd's vanishment (none had noted his actual departure — an odd thing, that) a rumor had been bruited about (though hotly denied by the ladies) that he had made away with gold ikons. Great was the rejoicing when he revealed that he had got them all safely back (save for the sharp bend in the Arrow of Truth) and an extra one besides — one which, as Fafhrd was quick to point out, might well be the lost Cube of Square Dealing, its edges systematically deformed to curves. Groniger was inclined to doubt this and much concerned about both deformations, but Fafhrd was philosophic.
           He said, "A crooked Arrow of Truth and a rounded-off Cube of Square Dealing strike me as about right for this world, more in line with accepted human practices."
           His account of his adventures on, above, and below the sea, and of the magic Cif's ghost had worked and