The Sketch-Book of Geoffrey Crayon

is that historians differ at the very outset, and mere pebbles make the stream of truth diverge into different channels even at the fountain-head.
    We approached the church through the avenue of limes, and entered by a Gothic porch, highly ornamented, with carved doors of massive oak. The interior is spacious, and the architecture and embellishments superior to those of most country churches. There are several ancient monuments of nobility and gentry, over some of which hang funeral escutcheons and banners dropping piecemeal from the walls. The tomb of Shakespeare is in the chancel. The place is solemn and sepulchral. Tall elms wave before the pointed windows, and the Avon, which runs at a short distance from the walls, keeps up a low perpetual murmur. A flat stone marks the spot where the bard is buried. There are four lines inscribed on it, said to have been written by himself, and which have in them something extremely awful. If they are indeed his own, they show that solicitude about the quiet of the grave which seems natural to fine sensibilities and thoughtful minds:

        Good friend, for Jesus' sake, forbeare
        To dig the dust inclosed here.
        Blessed be he that spares these stones,
        And curst be he that moves my bones.
    Just over the grave, in a niche of the wall, is a bust of Shakespeare, put up shortly after his death and considered as a resemblance. The aspect is pleasant and serene, with a finely-arched forehead; and I thought I could read in it clear indications of that cheerful, social disposition by which he was as much characterized among his contemporaries as by the vastness of his genius. The inscription mentions his age at the time of his decease, fifty-three years—an untimely death for the world, for what fruit might not have been expected from the golden autumn of such a mind, sheltered as it was from the stormy vicissitudes of life, and flourishing in the sunshine of popular and royal favor?
    The inscription on the tombstone has not been without its effect. It has prevented the removal of his remains from the bosom of his native place to Westminster Abbey, which was at one time contemplated. A few years since also, as some laborers were digging to make an adjoining vault, the earth caved in, so as to leave a vacant space almost like an arch, through which one might have reached into his grave. No one, however, presumed to meddle with his remains so awfully guarded by a malediction; and lest any of the idle or the curious or any collector of relics should be tempted to commit depredations, the old sexton kept watch over the place for two days, until the vault was finished and the aperture closed again. He told me that he had made bold to look in at the hole, but could see neither coffin nor bones—nothing but dust. It was something, I thought, to have seen the dust of Shakespeare.
    Next to this grave are those of his wife, his favorite daughter, Mrs. Hall, and others of his family. On a tomb close by, also, is a full-length effigy of his old friend John Combe, of usurious memory, on whom he is said to have written a ludicrous epitaph. There are other monuments around, but the mind refuses to dwell on anything that is not connected with Shakespeare. His idea pervades the place; the whole pile seems but as his mausoleum. The feelings, no longer checked and thwarted by doubt, here indulge in perfect confidence: other traces of him may be false or dubious, but here is palpable evidence and absolute certainty. As I trod the sounding pavement there was something intense and thrilling in the idea that in very truth the remains of Shakespeare were mouldering beneath my feet. It was a long time before I could prevail upon myself to leave the place; and as I passed through the churchyard I plucked a branch from one of the yew trees, the only relic that I have brought from Stratford.
    I had now visited the usual objects of a pilgrim's devotion, but I had a desire to see the old family seat of the Lucys at Charlecot, and to ramble through the park where Shakespeare, in company with some of the roisterers of Stratford, committed his youthful offence of deer-stealing. In this harebrained exploit we are told that he was taken prisoner and carried to the keeper's lodge, where he remained all night in doleful captivity. When brought into the presence of Sir Thomas Lucy his treatment must have been galling and humiliating; for it so wrought upon his spirit as to produce a rough pasquinade