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The Sketch-Book of Geoffrey Crayon

The Sketch-Book of Geoffrey Crayon

Titel: The Sketch-Book of Geoffrey Crayon Kostenlos Bücher Online Lesen
Autoren: Washington Irving
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violent qualms of economy; stop short at the most trivial expenditure; talk desperately of being ruined and brought upon the parish; and in such moods will not pay the smallest tradesman's bill without violent altercation. He is, in fact, the most punctual and discontented paymaster in the world, drawing his coin out of his breeches pocket with infinite reluctance, paying to the uttermost farthing, but accompanying every guinea with a growl.
    With all his talk of economy, however, he is a bountiful provider and a hospitable housekeeper. His economy is of a whimsical kind, its chief object being to devise how he may afford to be extravagant; for he will begrudge himself a beefsteak and pint of port one day that he may roast an ox whole, broach a hogshead of ale, and treat all his neighbors on the next.
    His domestic establishment is enormously expensive, not so much from any great outward parade as from the great consumption of solid beef and pudding, the vast number of followers he feeds and clothes, and his singular disposition to pay hugely for small services. He is a most kind and indulgent master, and, provided his servants humor his peculiarities, flatter his vanity a little now and then, and do not peculate grossly on him before his face they may manage him to perfection. Everything that lives on him seems to thrive and grow fat. His house-servants are well paid and pampered and have little to do. His horses are sleek and lazy and prance slowly before his state carriage; and his house-dogs sleep quietly about the door and will hardly bark at a housebreaker.
    His family mansion is an old castellated manor-house, gray with age, and of a most venerable though weather-beaten appearance. It has been built upon no regular plan, but is a vast accumulation of parts erected in various tastes and ages. The centre bears evident traces of Saxon architecture, and is as solid as ponderous stone and old English oak can make it. Like all the relics of that style, it is full of obscure passages, intricate mazes, and dusty chambers, and, though these have been partially lighted up in modern days, yet there are many places where you must still grope in the dark. Additions have been made to the original edifice from time to time, and great alterations have taken place; towers and battlements have been erected during wars and tumults: wings built in time of peace; and out-houses, lodges, and offices run up according to the whim or convenience of different generations, until it has become one of the most spacious, rambling tenements imaginable. An entire wing is taken up with the family chapel, a reverend pile that must have been exceedingly sumptuous, and, indeed, in spite of having been altered and simplified at various periods, has still a look of solemn religious pomp. Its walls within are storied with the monuments of John's ancestors, and it is snugly fitted up with soft cushions and well-lined chairs, where such of his family as are inclined to church services may doze comfortably in the discharge of their duties.
    To keep up this chapel has cost John much money; but he is staunch in his religion and piqued in his zeal, from the circumstance that many dissenting chapels have been erected in his vicinity, and several of his neighbors, with whom he has had quarrels, are strong papists.
    To do the duties of the chapel he maintains, at a large expense, a pious and portly family chaplain. He is a most learned and decorous personage and a truly well-bred Christian, who always backs the old gentleman in his opinions, winks discreetly at his little peccadilloes, rebukes the children when refractory, and is of great use in exhorting the tenants to read their Bibles, say their prayers, and, above all, to pay their rents punctually and without grumbling.
    The family apartments are in a very antiquated taste, somewhat heavy and often inconvenient, but full of the solemn magnificence of former times, fitted up with rich though faded tapestry, unwieldy furniture, and loads of massy, gorgeous old plate. The vast fireplaces, ample kitchens, extensive cellars, and sumptuous banqueting-halls all speak of the roaring hospitality of days of yore, of which the modern festivity at the manor-house is but a shadow. There are, however, complete suites of rooms apparently deserted and time-worn, and towers and turrets that are tottering to decay, so that in high winds there is danger of their tumbling about the ears of the household.
    John has

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