The Taking

best she could tell, no one watched the street from inside.
        "Something's wrong," Neil said. "Something's happened."
        "And five kids are in there," she said.
        The work was not yet completed.

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    59
        
        IF THE CHILDREN WERE IN SOME WAY IMMUNIZED against ultimate violence, for whatever reason, they would be safe in the street, watched over by the dogs. Neil ought to be able to accompany Molly into the bank.
        Their exemption from this holocaust, however, was no more than a theory, even though supported by some compelling evidence. With only theory to go by, Molly could not leave them without an adult defender.
        If one of them had to go into the bank alone, Neil insisted on being the point man this time, but his intention was not met with enthusiasm by Virgil. The dog refused to accompany him. Indeed, the shepherd sat on the pavement in front of the door, blocking entrance.
        Neil reached over the dog to open the door, but he discovered that it was locked.
        When Molly approached, Virgil rose to his feet and wagged his tail. She reached for the door, which opened before she touched it.
        As previously during this odyssey, this infernal tour, the inanimate seemed to harbor intention.
        With an embrace and a kiss, Neil conceded the point position to Molly. He returned to the children and the dogs in the street.
        During the walk to the bank, she had ejected the magazine from the 9-mm pistol and had replaced the expended cartridge. Ten rounds were loaded, ready. In the pockets of her jeans, she carried a few spares.
        Flashlight in her left hand, pistol in her right, she shouldered open the door and followed Virgil inside.
        The only bank in Black Lake and environs-constructed in 1936, when depositors needed to be reassured by a financial institution's grandeur-did not measure up in splendor to larger banks of that period in any major city, but it was impressive in its own modest scale. Marble floors. Six marble columns. Marble wainscoting. The surrounds at the tellers' windows were ornamental dark bronze with polished fluting and nickel inlays.
        Throughout the lobby, in the tellers' enclosure, in the open area of service desks behind the marble railing, ample light was provided by Coleman gas lanterns, which hissed softly like dreaming snakes.
        Molly switched off her flashlight and tucked it under the waistband of her jeans, in the small of her back, leaving both hands for the gun.
        Although more than twenty adults, plus five children, had left the tavern with the intention of stocking and fortifying the bank, only four adults, three men and a woman, were in the lobby. They stood side by side, in a line, facing the row of teller windows, their backs to the door.
        They didn't turn when Molly entered, which seemed odd, for the door had made some noise, and the dog's claws ticked on the floor, inspiring a sleet-storm of echoes from every marble surface.
        From the back, she recognized only one of the four: Vince Hoyt, the history teacher and football coach.
        "Vince?"
        He didn't turn.
        "Everything okay?" she asked.
        None of the four acknowledged her.
        Seeking guidance, she looked down at Virgil. He had abdicated leadership and, favoring Molly with a solemn gaze, waited for her to act.
        She crossed the lobby to the line of four, noticing that they stood stiff, heads up, shoulders squared, essentially at parade rest, except that their arms hung slackly at their sides.
        "What's going on?" she asked, and knew the answer when she came around the end of their formation.
        They had no faces.

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    60
        
        HERE WAS THE PHENOMENON THAT CASSIE HAD described: people without eyes, noses, mouths, each face smooth from ear to ear and from hairline to the rounded bottom of the chin, the color of pale clay, as glossy and featureless as fired ceramics.
        They should have been dead, for they could not breathe.
        Although their chests did not rise and fall with exhalation, inhalation, they twitched perceptibly from time to time, and their throats moved as they swallowed. In two of them, a racing pulse throbbed visibly in their temples. And in every case, their hands, slack at their sides, trembled.
        They radiated an anxiety that was almost palpable, almost keen enough to smell. They were without faces,