The Thanatos Syndrome
and an O, then a series of Xâs with an occasional O.
âThatâs fine, Mickey. Now I want you to come along with me and weâllââ
Before I get any further, she has obediently folded back the covers and swung her legs out without, I notice, taking the universal womanâs precaution of minding her gown, which rides up her not thin thighs.
âJust a moment, Mickey. Iâll get you a wheelchair.â
I become aware of a silence behind me, a silence, I realize, which has gone on for some time.
I turn. Lucy Lipscomb has come out of her curtained-off bed-room. I thought at first it was to give me a hand.
âHello, Tom.â She smiles, then hesitates, mouth open, as if she wanted to tell me something.
âLucy.â
âCould I have a word with you?â She is not smiling. âWait a minute.â She peels off her gloves and goes into the bathroom.
I havenât seen her for a year or so. Sheâs better-looking. Perhaps itâs the gleaming white coat, so starched that it rustles with every movement, against her dark skin. Perhaps sheâs lost weight. Perhaps itâs the way her haircut doesnât look butch anymore. She used to cut it herself, I thought. It was as rough-cut as a farmerâsâshe is a farmer as well as a doctor. But instead of looking like a Buster Brown, it looks French, straight dark bangs come down her forehead at angles. No butch she. There is a reflex hammer and an ophthalmoscope in her breast pocket.
âSorry about the ward conditions, Tom.â
âIt didnât matter.â
âI noticed that. It seems you have an audience, or rather an onlooker.â She speaks in an easy but guarded voice, looking over my shoulder.
âWho? Oh.â I turn around. Across the tiny quadrangle, still holding the steel chart in both hands, Bob Comeaux is looking straight at me.
âYeah. Heâs waiting to see me when I finish.â
âHm. So it seems. Could I also?â
âAlso what?â
âHave a word with you.â
âSure.â
Mickey is thrashing impatiently. Lucy is spoiling her game.
Iâm out the door and down the hall, looking for a wheelchair for Mickey.
âDoctor!â A sharp peremptory un-Southern manâs voice. âJust hold it right there.â
Itâs Bob Comeaux, with Sue Brown holding a chart. Heâs angry, I see at once, so angry that heâs past prudence, to the point of showing his anger toward another doctor in the presence of a nurseâwhich for a doctor is angry indeed. Heâs lost his temper. His nostrils flare and have actually whitened where they join the lip. Sue Brown gives me a frightened smile.
Bob Comeaux is not smiling. His eyes are up in his eyebrows, mouth tight like a chief of surgery on grand rounds.
âDoctor, would you mind stepping over here?â We walk back, past the open door of the room, presumably to get a little away from Sue Brown. We donât want a nurse to see doctors fight. But Sue Brown has vanished into thin air. For a split second I am aware of Lucy through the doorway, standing still, her brown eyes rounded.
Bob Comeaux and I find ourselves standing side by side, backed against the wall, hands in pockets, looking down at our toes in a studious exercise of control, of not facing each other, not confronting, not yelling, not fistfighting. We could be a couple of horsy docs discussing the hunter-jumper show. I notice that his field boots are muddy. Heâs wearing short spurs. I remember wondering at that very moment if his coming to the hospital in riding clothes is simply a matter of convenience or whether it is more than that.
âDoctor, what the fuck do you think youâre doing?â asks Bob Comeaux pleasantly, smilingâwhite around the mouth with rageâdown at his boots.
âI was doing the consultation on Mickey you asked for.â
âI saw what you were doing.â
âYou did?â
âYou ran a Tauber test, then some Luria Xâs and Oâs. I saw you.â
âSo?â
âWhat the fuck for?â
âIââ
âAnd you were about to wheel her out.â
âYes.â
âWhere were you taking her?â
âDown to get a PETscan. Thatâs the best I can do in this hospital. You must have seen the order on the chart.â
âI sure as hell did. But to what end, for Christâs sake?ââsmiling, taking a deep
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