The Thanatos Syndrome
quit, do you?â By way of leave-taking he gives me a warm, horse-smelling, shoulder jostle. âOh, Tomââ
âYes?â
âI know I can count on you to help me see to it that Mrs. LaFaye gets the best care we can give her.â
âYou can.â
âThanks, hoss. What say to the Ein und Zwanzig and a flick?â Thatâs old P&S talk for letâs go to Twenty-One to eat and then to the movies at Radio City.
âThanks, but I got a junior dog.â I got a date with a student nurse.
âOh shit. Tom?â
âYes?â
âI almost forgot. This is not a favor. This is something Iâm sure youâd want to do because it involves an old friend of yours.â
âWhoâs that?â
âI spoke to you about Father Smith and Father Placide over at St. Michaelâs?â
âYes?â
âWell, it seems the good fathers have a problem. Father Placide called me a couple of weeks ago. Incidentally, heâs a hell of a nice guyâwe served on a couple of committees together. Heâs got a little problem and frankly I think youâre in a better position to handle it than I.â
âWhatâs the problem?â
âThe problem is Father Smith. It has to do with his behavior. Ha ha, Iâm sorry, Tom, but Iâm quoting Father Placide. Frankly, Tom, Iâm a little out of my element here. I believe youâve known Father Smith for some time, that you knew him well in, ah, Alabama.â
âYes. Whatâs wrong with him?â
âIâm not clear on thatâsomething about him flipping out, not coming down from a fire tower. Anyhow, Iâd appreciate it if you would talk to Placide. Iâd take it as a personal favor.â
âAll right.â
He looks at his watch, a curved gold wafer. âCould you drop by there this afternoon?â
âWellââ
âTom, just hear what Father Placide has to say. Then I want you to take a look at Father Smith and give me a DX. Okay?â
âAll right,â I say, looking around for Lucy.
âGreat,â says Bob, giving me a strong pronated handshake and a long level-eyed look. âYou know something, hoss. If the creek donât rise, I think weâre going to make it. Right?â
âRight,â I say, wishing heâd let go of my hand and wondering what he wants from Father Placide.
4. LUCY CATCHES ME IN the parking lot. Sheâs got two sandwiches and two Cokes. We sit in her old pickup, a true farm vehicle spattered to the windows with cream-colored mud. The truck bed is loaded with a tractor tire and a cutter blade from a combine.
My two-toned Caprice, even older, is alongside. Beyond, in the far corner of the lot, a Cox Cable van is parked facing out. Later I remember wondering what a cable van was doing here. The hospital has a dish antenna.
âYou look underfed. Eat,â says Lucy, eating. She still wears her white coat.
But I donât eat. I sit hands on knees. The hot October sun pours through the windshield. The vinyl seat is torn. Stuffing extrudes through the tear.
Lucy lights up one of her Picayunes, plucks a grain of tobacco from the tip of her tongue, pointing her tongue. I remember her doing this before.
âYou and Bob seem to have patched things up,â says Lucy, watching me. She is sitting in the corner, half facing me, white coat open, bare knee folded on the seat. A splendid knee.
âWhat? Yes.â A déjà vu has overtaken me. It began when she unlocked her door, got in, and I, waiting at the other door, watched her lean almost horizontally, holding the wheel with her left hand and with two fingers of her right, palm up, lift the latch. Sheâs done this before for me, hasnât she?
It is the smell of hot Chevy metal and the molecules of seat stuffing rising in my nostrils and the rustling of her starched coat. Iâve been here before.
âYou were testing her for a cortical deficit, werenât you?â
âYes. Iâm glad you were there.â
âI made it my business to be there. Did you find it?â
âWhat? Oh, the deficit. Yes, I think so.â
âI wanted to tell you why Bob Comeaux was so angry.â
Lucy is telling me something about Comeaux and his interest in Mickey LaFaye and her ranch. It is difficult to listen.
The déjà vu has to do with sitting in a car with a girl, woman, with her swiveled around, bare knee cocked on
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