The Thanatos Syndrome
what?â she replies equably.
âHow have you been?â
âOh, fine,â she says, and falls silent. âHow about you?â Yes, she is being ironic.
âIâm all right.â
âI seeââand again falls silent, but equably and with no sense of being at a loss.
âDo you wish to resume therapy?â
She shakes her head but goes on smiling.
âIt was you who called me, Donna.â
âI know.â
I wait for her to start up. She doesnât. I decide to wait her out.
Finally she says, âI knew you were back.â
âAnd you wanted to wish me well.â
âI saw you in the store.â
âI see.â Something stirs in the back of my head.
âI often see your wife in the store.â
âIs that right?â
âSheâs your second wife, isnât she?â
âYes.â
âShe is often with that famous scientist, or is he a bridge player, anyway a close friend, Iâm sure.â Again the lively look. Again the stirring just above my hairline.
âDonna, Iâm sure you didnât come here to tell me you saw my second wife at the store.â âNo.â She opens her mouth and closes it.
When patients get stuck, you usually get them off dead center by asking standard questions, as if you were seeing them for the first time.
âAre you still working at the clinic?â
âYesââneutrally. Again she falls silent, but without a trace of the old unease or hostility.
âHow does it go?â
âOh, fine.â
As we gaze at each other, the stirring at the back of my head comes up front. I have the same nutty idea.
âWhere do you live now, Donna?â
âIn Cut Off, Louisiana.â Her reply is as prompt and triumphant as if I had at last hit on the right question.
âI see. Where is Cut Off, Donna?â
Her eyes move up a little as if she were consulting a map over my head. âCut Off, Louisiana, is sixty-one miles southwest of New Orleans.â There is no map over my head.
âVery good, Donna. Donna, where is Arkansas?â
Again the eyes going up into her eyebrows. âArkansas is bounded on the north byââ
âThatâs fine, Donna, I see that you know. Give me your hand, Donna.â
She gives me her right hand across the desk. I had thought she was right-handed, but needed to be sure. I look at it, the broad thumb, the short nail. I remember dreaming of her once, making much in the dream of a certain stubbiness of hand and foot. Her foot does in fact have an exaggerated arch, like a dancerâs. A broad quick little hoofed mare of a girl she was in the dream.
I look into her eyes, which are dilated and dark with pupil. Again she reminds me of Degas girls, with their big black eye dots.
âAre you taking any medicine, Donna?â
She shakes her head quickly. How do I know, as certainly as if she were a four-year-old, that she is telling the truth?
âDonna, make a circle with your thumb and forefinger like this and look at me through it, like so.â
She does. She looks at me through the circle with her left eye. Ordinarily in a right-handed person, the right eye is dominant.
I am musing but rouse myself. Iâll muse later.
âDonna, is there anything I can do for you?â She shakes her head, almost merrily.
âDonna, why did you come to see me? What do you want?â Although I had not yet got onto this peculiar business, I already knewâwith her as well as with Mickey LaFayeâthat I could ask her any question in any context.
Her eyes are focused above me. She nods toward something. âThat.â
I turn around in my chair. There in the bookshelf, in a space between two bookends, squats a little pre-Columbian figurine, a mud-colored, sausage-shaped woman with a large abdomen. A patient with mystical expectations from a trip to Mexico and some Mayan ruins had given it to me. Her mystical Mexican expectations didnât pan out. They seldom do.
âYou like that?â I ask Donna.
She nods.
âWould you like to have it?â
She nods eagerly, the same quick assent of a four-year-old.
âWhy?â I am curious. Is it because it is fat and fertile? Because it is mine? Because it is Mexican? Does she have the Mexican itch?
âSomething I need.â
âIt is something you need?â
âYes, I need.â
I need? A curious expression. I get up to get it to give it to
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