The Whore's Child
do.â
A car pulls up outside and we both look to see who it is, probably because whoever it is will upset the balance of our conflict. One of us will have an ally. I do not expect it to be Faye, but thatâs who it is, and when Russell sees this, his face falls, as if my wifeâs mere presence has convinced him that I am fully vested and authorized to banish him from his own property.
When Faye rings the bell, I open the door and tell her to go around back and join Julie. She wants to know how things are going. I say I just got here. How could I have just got here, she wants to know. I tell her to go around back.
âThis is nuts,â Russell says.
Thereâs nothing to do but agree, so I do, and then I tell him that Julie has gathered a few of his belongings and he should get packing. Russell looks like he canât decide whether to cry or fly into a rage, but to my surprise he does as heâs told.
Once heâs gone off down the hall, I realize that with Julie and Faye out back, I have no one to talk to and nothing to do. It seems wrong to turn on the TV or browse through their books. I can hear Russell in the closet of one of their bedrooms, and I figure heâs looking for either a suitcase or a gun. I sit down to wait, then remember something and get up. Julie has helped her mother up onto the deck and is crying again. I study the pair of them before stepping back outside. From the rear they look remarkably similar, almost like sisters. I look for something of myself in Julie and find precious little. When Faye notices me standing there at the window, I join them on the deck.
âHow much do you have in your checking account?â I ask our daughter.
She blinks.
âHow much?â I say.
âNot a lot,â she says. âThereâs never much. A couple hundred dollars maybe.â
âWrite me a check,â I say. âIâll take him to the airport.â
âYou want me to pay for it?â Julie says.
âYou want
me
to?â
âHankââ Faye starts.
But Iâm not about to budge on this one. Iâll loan her money later, or give it to her if I have to, but if she wants Russell on a plane, sheâs going to experience at least the appearance of paying for it.
Julie fetches the checkbook from the drawer in the kitchen. Though she hates the idea, she writes the check anyway. I look it over, then slip it in my pocket.
âHeâs at the bedroom window staring at us,â Julie whispers. âDonât look.â
I donât intend to.
Itâs forty-five minutes to Bradley International. I tell Russell to take it easy. After all, itâs not like weâre trying to catch any particular flight. Where I will send Russell is one of the many things we have not discussed. Why he has struck my daughter is another. More than anything, Iâm afraid heâll tell me whatâs wrong with my daughter, and why their lives together went wrong.
I know too much already. Knew, in fact, as soon as I saw my house taking shape on their lot, knowing that this wasnât Russellâs idea, that if Russell had his way theyâd be living in New Haven in an apartment, spending their money in restaurants, on the occasional train into New York, the theater, maybe, or a cruise around the island. The sort of things you have a ticket stub to show for when youâre finished. It would take him a decade or so to want something more permanent, and even then it would be against his better instincts. He didnât need a house right now and he certainly didnât need a replica of mine. When we drove away, he hadnât even looked back at it.
I know all this better than he does. He probably imagines that whatever it is thatâs between him and Julie is more immediate. He may even think heâs a bad lover or a bad person. I doubt he likes what heâs thinking as the Connecticut countryside flies by and recedes behind us liked a welched promise. Iâd asked if he minded driving, and he said why should he. Why indeed? Itâs his car.
âItâs funny,â he finally says when we hit I-91.
âPlease, Russell,â I beg him. âDonât tell me whatâs funny.â
âWhy not?â
âBecause it wonât be.â
âWhatâs funny is . . . Iâm relieved.â
âSee what I mean?â
âNo, seriously,â he says. I suspect he doesnât know what serious
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