The Whore's Child
poisoned me. But where would a man like me have been without that mill?â He was too kind to ask what logically followed, which was where I myself would be were it not for my fatherâs employment. Of course, I acted out my part, lobbing the obvious rhetorical question back at him. Did any one group of men have the right to poison another? Carried in the subtext of this question had been another, more mean-spirited one. I was asking my father what kind of man allowed himself to be poisoned. Wouldnât such a man deserve his fate?
I pull a deep painful breath into my bought-and-paid-for lungs. âI donât know,â I confess to Gene, and boy, is
that
ever the truth.
We have stopped walking, in deference to the gravity of our subject, I assume, until I notice the pink towel and the pile of clothes at our feet. Gene is staring off, one hand shading his eyes against the sun, and Iâm blinking and grateful for the opportunity to shade my own eyes. Nearly blind, it takes me a while to see Portia, waving, quite a distance out, and it occurs to me that I didnât warn her about the undertow. I squint into the sun, trying to determine if sheâs in trouble, then she stops waving and starts swimming toward us. For what seems a long time, I canât be sure if sheâs making progress or whether thereâs a possibility that we might be watching Geneâs young wife drown. âIs she . . .â I begin, preparing mentally to go in after her.
âDonât be embarrassed,â he says proudly. âModest sheâs not.â
That it takes me so long to make sense of this remark suggests that Iâve drunk too much, and that the beer isnât mixing well with the antibiotics.
When Portia emerges, dusky but glistening, from the surf, I find myself looking away.
âIsnât he sweet?â Portia says, a little unkindly it seems to me, when she notices.
We turn in earlyâGene and Portia pleading road weariness, Clare and I a dawn ferry reservationâand Iâve fallen asleep watching a book program on public television. I canât have slept more than twenty minutes, but still managed to dream vividlyâa predictable symptom, for me, of too much alcohol.
Iâm surprised to find Clare warmly in bed beside me, since when I drifted off she was doing last-minute packing. A small phalanx of suitcases is lined up along the wall by the door. âToo bad you fell asleep,â my wife says. âYou were just alluded to.â
âNo kidding?â I say, staring at the television as if some atmospheric residue of this might be lingering on the screen. âIn what context?â
âIn a generally favorable context.â
âI wasnât accused of selling out?â
âNo, you were accused of a certain realism.â
âAh, well, that . . .â I say.
Dinner had been uncomfortable. Portia, under the influence of Chianti and lobster sauce, was openly critical of Gene, first wondering why heâd published so many books of short stories, then speculating on what it meant that heâs never attempted a novelââloaded up the shotgun,â as she put it, and gone hunting bigger game. Now, according to Portia, he was even looking for excuses not to write stories. And that, she concluded, is what the mill obsession is really all aboutâan excuse. âGeneâs always been a good writer,â she concluded, âbut not a great one, and thatâs what heâs coming to terms with.â
In fact, her unpleasantness, coupled with Geneâs uncharacteristic reluctance to spar, resulted in the unimaginableâClareâs rising to his defense.
âI thought time decided the question of greatness,â she said.
To which Gene smiled and replied, âOh, no. Iâm afraid Portia decides.â
After dinner, Gene and I went out onto the deck once more before calling it a night, Portia having already gone upstairs.
âSheâll be up all night writing now,â Gene said.
âReally?â I was surprised. âShe doesnât seem to be in a very good mood.â
âHer rage is a source,â he said, âthat I taught her to tap into.â When I said nothing in response, he added, âHell, itâs the source of
our
work too, yours and mine both.â
There it was again, the old camaraderie Gene had first extended nearly three decades ago, the year I arrived to begin my
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