This Is Where I Leave You

running through darkened halls. Behind me I hear the jingle of the rottweiler’s tags, the scrabble of his paws on the floor, the low gurgle of his breath as he gains on me. I am sweating and panting, and no matter how hard I try, I can’t seem to pick up any speed. And then I round a corner and my prosthetic leg falls off, clattering woodenly to the ground. I scream as I go down, and even though the dog is not yet upon me, I lurch awake knowing he will be soon.

Chapter 28
    Alice Taylor was standing against the wall at Jeremy Borson’s house party, sipping spiked punch from a plastic cup and smiling at something one of her friends was saying. We’d gotten friendly over the last few months; she had started touching my arms when we talked and walking closer to me in the halls, so that our hips occasionally bumped. Just a few days earlier, walking home from school, I had impulsively taken her hand when it grazed mine, and she had squeezed back and we’d stayed like that for the rest of the walk, never mentioning it. For the first time in my high school career, a girlfriend appeared to be within my reach. We’d be meeting tomorrow afternoon at the mall for burgers and a movie, and I fully intended to hold her hand again, maybe even try to kiss her during the movie.
    And there she was, at Jeremy Borson’s party, in cutoffs that showed off her smooth, tanned legs and a white V-neck sweater, her wavy brown hair pulled up off her forehead with a headband. Even as she laughed with her friends, I saw her eyes wandering over the rim of her cup to find mine, saw the little surreptitious smiles being aimed at me, the light dancing across the surface of her lip gloss. There was something new in those smiles, something bold and promising, and I began to make my way through the crowd, marshalling my resources and chugging down my spiked punch for courage. Maybe we’d go outside for a little while and I’d kiss her tonight. I was pretty sure she wanted me to.
    The room was hot and throbbing; Tears for Fears blasting on the stereo system, girls dancing awkwardly in the square left by the prudent removal of a coffee table, kids pressed up against each other in the crowded living room, drinks held aloft at high angles to avoid spilling. Here and there couples made out against the walls, although the ones with any class went out to the yard to grope and suck in private. There were viral whispers of vomit in the powder room, of porno in the basement, of controlled substances in the garage. I don’t know exactly what happened. Someone bumped into someone across the room, maybe clowning around, maybe completely by accident, but we were a roomful of sweating dominoes, knocking one into another, until I was thrown forward into Tony Rusco, who had a beer bottle in his mouth right at that moment. The bottle banged audibly against his teeth, and he spewed his beer all over his shirt. He turned around, wiping his face on his arm, and, with no preamble, kicked me in the balls.
    If you have no balls, or have some but have somehow made it through life thus far without ever having injured them, then you’ve missed out on one of the most exquisitely nuanced variations of agony known to man. It is the piano of pain, melody, harmony, bass, and percussion all in the same instrument.
    First there’s nothing. A surprising amount of nothing actually. No pain at all, just white noise and the shock of having been hit there, in your softest of places. And because the pain has yet to arrive, you dare to hope that it won’t come at all, that the impact was less direct than you first thought. And then it comes, like thunder on the heels of lightning, at first just a faint rumble, a low, steady hum of discomfort. If it were a musical note, it would be one of those bottom bass notes they use in horror films to create an ominous sense of dread, of dark, fanged things hiding, poised to spring. It’s a loaded hum, because you know a note that low only has one direction to go. And as you feel the dull, pulsating 178pain emanating from the center of your being, from your core, you think to yourself, I can handle this, this is nothing, I can kick this pain’s ass, and that’s the exact instant that you find yourself suddenly on your knees, doubled over and gasping, with no memory at all of how you got there. And now the pain is everywhere - in your groin, your gut, your kidneys, the tightly flexed muscles of your lower back where you didn’t even think