Tick Tock

no indication of a bone structure, no cranium, no cartilage, none of the firmness of flesh, merely a limpness, a loose shifting, an amorphous quality.
    THE DEADLINE IS DAWN no longer glowed on the video display terminal. In the place of that cryptic yet ominous message was a single word: TICKTOCK.
    Tommy felt as if he had tumbled like poor Alice into a weird alternate world—not down a rabbit hole, however, but into a video game.
    He pushed the wheeled office chair out of the way. Holding the pistol in his right hand and thrusting it in front of him, he cautiously stooped to peer into the kneehole in the desk. Banks of drawers flanked that space, and a dark privacy panel shielded the front of it, yet enough light seeped in for him to be sure that the doll-thing was not there.
    The banks of drawers were supported on stubby legs, and Tommy had to lower his face all the way to the floor to squint under them as well. He found nothing, and he rose to his feet once more.
    To the left of the knee space were one box drawer and a file drawer. To the right was a stack of three box drawers. He eased them open, one at a time, expecting the mini-kin to explode at his face, but he discovered only his usual business supplies, stapler, cellophane-tape dispenser, scissors, pencils, and files.
    Outside, driven by a suddenly fierce wind, rain pounded across the roof, roaring like the marching feet of armies. Raindrops rattled against the windows with a sound as hard as distant gunfire.
    The din of the storm would mask the furtive scuttling of the doll-thing if it circled the room to evade him. Or if it crept up behind him.
    He glanced over his shoulder, but he wasn't under imminent attack.
    As he searched, he strove to persuade himself that the creature was too small to pose a serious threat to him. A rat was a thoroughly disgusting and frightening little beast too, but it was no match for a grown man and could be dispatched without ever having a chance to inflict a bite. Furthermore, there was no reason to assume that this strange creature's intention was to harm him any more than he could have had reason to assume that a rat possessed the strength and power and will to plot the murder of a human being.
    Nevertheless, he couldn't convince himself that the threat was less than mortal. His heart continued to race, and his chest was almost painfully tight with apprehension.
    He recalled too clearly the radiant green eyes with elliptical black pupils, which had fixed him so threateningly from within the rag face. They were the fierce eyes of a predator.
    The brass wastebasket was half filled with crumpled sheets of typing paper and pages from a yellow legal pad. He kicked it to see if he could elicit an alarmed response from anything hiding at the bottom of the trash.
    The papers rustled when he kicked the can, but at once they settled again into a silent heap.
    From the shallow pencil drawer in the desk, Tommy withdrew a ruler and used it to stir the papers in the wastebasket. He poked it violently down into the trash a few times, but nothing squealed or tried to wrest the ruler from his hand.
    Chain lightning flared outside, and with arachnid frenzy, the turbulent black shadows of wind-shaken trees thrashed across the glass. Thunder boomed, thunder roared, and thunder tumbled down the coal chute of the night.
    Across the room from the desk, a sofa stood against the wall, under framed reproductions of movie posters advertising two of his favourite films. Fred MacMurray, Barbara Stanwyck, and Edward C. Robinson in James M. Cain's Double Indemnity. Bogart and Bacall in Dark Passage.
    Occasionally, when his writing wasn't going well, especially when he was stuck for an engaging plot twist, Tommy stretched out on the sofa, his head elevated on the two decorative red pillows, did some deep-breathing exercises, let his mind drift, and gave his imagination a chance to work. Often he solved the problem within an hour and went back to work. More often he fell asleep—and woke with a flush of shame at his laziness, sticky with perspiration and excessive guilt.
    Now Tommy gingerly moved the two red throw pillows. The mini-kin wasn't hiding behind either of them.
    The sofa was built to the floor rather than supported on legs. Consequently, nothing could be hiding under it.
    The doll-thing might be behind the sofa, however, and to move such a heavy piece away from the wall, Tommy needed both hands. He would have to put aside the pistol; but he was