Complete Works

dream, of another vagary of his overtired brain. A face with drooping eyelids, old, thin, and yellow, above the scattered white of a long beard that touched the earth. A head without a body, only a foot above the ground, turning slightly from side to side on the edge of the circle of light as if to catch the radiating heat of the fire on either cheek in succession. He watched it in passive amazement, growing distinct, as if coming nearer to him, and the confused outlines of a body crawling on all fours came out, creeping inch by inch towards the fire, with a silent and all but imperceptible movement. He was astounded at the appearance of that blind head dragging that crippled body behind, without a sound, without a change in the composure of the sightless face, which was plain one second, blurred the next in the play of the light that drew it to itself steadily. A mute face with a kriss between its lips. This was no dream. Omar’s face. But why? What was he after?
    He was too indolent in the happy languor of the moment to answer the question. It darted through his brain and passed out, leaving him free to listen again to the beating of her heart; to that precious and delicate sound which filled the quiet immensity of the night. Glancing upwards he saw the motionless head of the woman looking down at him in a tender gleam of liquid white between the long eyelashes, whose shadow rested on the soft curve of her cheek; and under the caress of that look, the uneasy wonder and the obscure fear of that apparition, crouching and creeping in turns towards the fire that was its guide, were lost — were drowned in the quietude of all his senses, as pain is drowned in the flood of drowsy serenity that follows upon a dose of opium.
    He altered the position of his head by ever so little, and now could see easily that apparition which he had seen a minute before and had nearly forgotten already. It had moved closer, gliding and noiseless like the shadow of some nightmare, and now it was there, very near, motionless and still as if listening; one hand and one knee advanced; the neck stretched out and the head turned full towards the fire. He could see the emaciated face, the skin shiny over the prominent bones, the black shadows of the hollow temples and sunken cheeks, and the two patches of blackness over the eyes, over those eyes that were dead and could not see. What was the impulse which drove out this blind cripple into the night to creep and crawl towards that fire? He looked at him, fascinated, but the face, with its shifting lights and shadows, let out nothing, closed and impenetrable like a walled door.
    Omar raised himself to a kneeling posture and sank on his heels, with his hands hanging down before him. Willems, looking out of his dreamy numbness, could see plainly the kriss between the thin lips, a bar across the face; the handle on one side where the polished wood caught a red gleam from the fire and the thin line of the blade running to a dull black point on the other. He felt an inward shock, which left his body passive in Aissa’s embrace, but filled his breast with a tumult of powerless fear; and he perceived suddenly that it was his own death that was groping towards him; that it was the hate of himself and the hate of her love for him which drove this helpless wreck of a once brilliant and resolute pirate, to attempt a desperate deed that would be the glorious and supreme consolation of an unhappy old age. And while he looked, paralyzed with dread, at the father who had resumed his cautious advance — blind like fate, persistent like destiny — he listened with greedy eagerness to the heart of the daughter beating light, rapid, and steady against his head.
    He was in the grip of horrible fear; of a fear whose cold hand robs its victim of all will and of all power; of all wish to escape, to resist, or to move; which destroys hope and despair alike, and holds the empty and useless carcass as if in a vise under the coming stroke. It was not the fear of death — he had faced danger before — it was not even the fear of that particular form of death. It was not the fear of the end, for he knew that the end would not come then. A movement, a leap, a shout would save him from the feeble hand of the blind old man, from that hand that even now was, with cautious sweeps along the ground, feeling for his body in the darkness. It was the unreasoning fear of this glimpse into the unknown things, into those motives,