Mockingjay

on. Flip through.”
    I turn the pages slowly, seeing each detail of the uniform. The carefully tailored layers of body armor, the hidden weapons in the boots and belt, the special reinforcements over my heart. On the final page, under a sketch of my mockingjay pin, Cinna’s written, I’m still betting on you.
    “When did he . . .” My voice fails me.
    “Let’s see. Well, after the Quarter Quell announcement. A few weeks before the Games maybe? There are not only the sketches. We have your uniforms. Oh, and Beetee’s got something really special waiting for you down in the armory. I won’t spoil it by hinting,” says Plutarch.
    “You’re going to be the best-dressed rebel in history,” says Gale with a smile. Suddenly, I realize he’s been holding out on me. Like Cinna, he’s wanted me to make this decision all along.
    “Our plan is to launch an Airtime Assault,” says Plutarch. “To make a series of what we call propos — which is short for ‘propaganda spots’ — featuring you, and broadcast them to the entire population of Panem.”
    “How? The Capitol has sole control of the broadcasts,” says Gale.
    “But we have Beetee. About ten years ago, he essentially redesigned the underground network that transmits all the programming. He thinks there’s a reasonable chance it can be done. Of course, we’ll need something to air. So, Katniss, the studio awaits your pleasure.” Plutarch turns to his assistant. “Fulvia?”
    “Plutarch and I have been talking about how on earth we can pull this off. We think that it might be best to build you, our rebel leader, from the outside . . . in . That is to say, let’s find the most stunning Mockingjay look possible, and then work your personality up to deserving it!” she says brightly.
    “You already have her uniform,” says Gale.
    “Yes, but is she scarred and bloody? Is she glowing with the fire of rebellion? Just how grimy can we make her without disgusting people? At any rate, she has to be something. I mean, obviously this” — Fulvia moves in on me quickly, framing my face with her hands —“won’t cut it.” I jerk my head back reflexively but she’s already busy gathering her things. “So, with that in mind, we have another little surprise for you. Come, come.”
    Fulvia gives us a wave, and Gale and I follow her and Plutarch out into the hall.
    “So well intended, and yet so insulting,” Gale whispers in my ear.
    “Welcome to the Capitol,” I mouth back. But Fulvia’s words have no effect on me. I wrap my arms tightly around the sketchbook and allow myself to feel hopeful. This must be the right decision. If Cinna wanted it.
    We board an elevator, and Plutarch checks his notes. “Let’s see. It’s Compartment Three-Nine-Oh-Eight.” He presses a button marked 39 , but nothing happens.
    “You must have to key it,” says Fulvia.
    Plutarch pulls a key attached to a thin chain from under his shirt and inserts it into a slot I hadn’t noticed before. The doors slide shut. “Ah, there we are.”
    The elevator descends ten, twenty, thirty-plus levels, farther down than I even knew District 13 went. It opens on a wide white corridor lined with red doors, which look almost decorative compared to the gray ones on the upper floors. Each is plainly marked with a number. 3901, 3902, 3903 . . .
    As we step out, I glance behind me to watch the elevator close and see a metallic grate slide into place over the regular doors. When I turn, a guard has materialized from one of the rooms at the far end of the corridor. A door swings silently shut behind him as he strides toward us.
    Plutarch moves to meet him, raising a hand in greeting, and the rest of us follow behind him. Something feels very wrong down here. It’s more than the reinforced elevator, or the claustrophobia of being so far underground, or the caustic smell of antiseptic. One look at Gale’s face and I can tell he senses it as well.
    “Good morning, we were just looking for —” Plutarch begins.
    “You have the wrong floor,” says the guard abruptly.
    “Really?” Plutarch double-checks his notes. “I’ve got Three-Nine-Oh-Eight written right here. I wonder if you could just give a call up to —”
    “I’m afraid I have to ask you to leave now. Assignment discrepancies can be addressed at the Head Office,” says the guard.
    It’s right ahead of us. Compartment 3908. Just a few steps away. The door — in fact, all the doors — seem incomplete. No knobs. They