Modern Mind
in European and American Thought 1860–1945,
Cambridge: Cambridge University Press, 1997, pages 109–118; see also Hofstadter, Op.
cit.,
pages 51–66.
13. Hofstadter,
Op. cit.,
pages 152–153.
14.
Ibid.,
page 41.
15. Hawkins, Op.
cit.,
page 132.
16. Hannaford, Op.
cit.,
pages 289–290. Hawkins, Op.
cit.,
page 133.
17. Hawkins,
Op. cit.,
pages 126–127.
18.
Ibid.,
page 178.
19.
Ibid.,
page 152.
20. Hannaford, Op.
cit.,
page 292.
21. Hawkins, Op.
cit.,
page 193.
22.
Ibid.,
page 196.
23. Hannaford, Op.
cit.,
pages 291–292.
24. Hawkins,
Op. at.,
page 185.
25.
Ibid.
26.
Ibid., page 219.
27. Hannaford,
Op. cit.,
page 338.
28.
Johnston, The Austrian Mind, Op. cit., page 364. Herman, Op. cit., page 125.
29. Hawkins,
Op. cit.,
page 62.
30.
Ibid.,
page 201.
31.
Ibid.
32. Hannaford,
Op. cit.,
page 330; see also Hawkins, Op.
cit.,
page 217.
33. Hawkins, Op.
cit.,
page 219.
34. Hannaford, Op.
cit.,
page 332.
35. Hawkins,
Op. cit.,
page 218.
36. Hawkins,
Op. cit.,
page 225.
37.
Ibid.,
page 242.
38. Johnston, Op.
cit.,
page 357.
39.
Janik and Toulmin, Wittgenstein’s Vienna, Op. cit., pages 60–61.
40.
Ibid.,
page 61.
41. Johnston, Op.
cit.,
page 358.
42.
Schorske, Fin-de-siècle Vienna, Op. cit., page 164.
43.
Ibid.,
pages 166–167.
44. Johnston, Op.
cit.,
page 358.
45. Anthony Giddens, Introduction to: Max Weber,
The Protestant Ethic and the Spirit of Capitalism,
London and New York: Routledge, 1942 (reprint 1986), page vii.
46.
Ibid.,
page viii.
47. Donald G. Macrae,
Weber,
London: The Woburn Press, 1974, pages 30–32. See also: HartmutLehmann and Guenther Roth,
Weber’s Prolestant Ethic,
Cambridge: Cambridge University Press, 1993, especially pages 73ff and 195ff.
48.
Ibid.,
page 58.
49. J. E. T. Eldndge (editor).
Max Weber: The Interpretation of Social Reality,
London: Michael Joseph, 1970, page 9.
50. Giddens,
Op. cit.,
page ix.
51.
Ibid.,
page 35.
52.
Ibid.,
page xi.
53.
Ibid.
54. Eldridge,
Op. cit.,
pages 168–169.
55. Giddens,
Op. cit.,
page xii. Eldridge,
Op. cit.,
page 166.
56.
Ibid.,
pages xii—xiii.
57.
Ibid.,
page xvii.
58. Lehmann and Roth,
Op. cit.,
pages 327ff. See also: Giddens,
Op. cit.,
page xviii.
59. Eldridge,
Op. cit.,
page 281.
60. Hawkins,
Op. cit.,
page 307. In
Plough, Sword and Book: The Structure of Human History,
London: Collins Harvill, 1988, Ernest Gellner takes Weber’s analysis further, arguing that the internalisation of norms makes Protestant societies more trusting, aiding economic activity (page 106). ‘The stress on scripturalism is conducive to a high level of literacy’ which means, he says, that high culture eventually becomes the majority culture. This promotes egalitarianism, and the modern anonymous society, simultaneously innovative and involving standardised measures and norms, promoting social order so characteristic of modernity (page 107).
61. Redmond O’Hanlon,
Joseph Conrad and Charles Darwin,
Edinburgh: Salamander Press, 1984, page 17.
62. D. C. R. A. Goonetilleke, Joseph
Conrad: Beyond Culture and Background,
London: Macmillan, 1990, pages 15ff.
63. O’Hanlon,
Op. cit.,
pages 126–127. See also: Kingsley Widner, ‘Joseph Conrad’,
Dictionary of Literary Biography,
Detroit: Bruccoli Clark, 1988, Volume 34, pages 43–82.
64. O’Hanlon,
Op. cit.,
pages 17ff.
65.
Ibid.,
pages 20–21.
66. Widner,
Op. cit.,
pages 43–82.
67.
Ibid.
68. Joseph Conrad,
Heart of Darkness,
Edinburgh and London: William Blackwood, 1902; Penguin, 1995.
69. Goonetilleke,
Op. cit.,
pages 88–91.
70. Conrad,
Op. cit.,
page 20.
71.
Ibid.,
page 112.
72. Goonetilleke,
Op. cit.,
page 168; see also: R. W. Stalman,
The Art of Joseph Conrad: A Critical Symposium,
East Lansing: Michigan State University Press, 1960.
73. O’Hanlon,
Op. cit.,
page 26.
74. Richard Curie,
Joseph Conrad: A Study,
London: Kegan Paul, French, Trübner, 1914.
75. Goonetilleke,
Op. cit.,
page 85.
76.
Ibid.,
page 63.
77.
Gary Adelman, Heart of Darkness: Search for the
Unconscious,
New York: Twayne, 1987, page 59.
CHAPTER 4: LES DEMOISELLES DE MODERNISME
1. Kurt Wilhelm,
Richard Strauss: An Intimate Portrait,
London: Thames & Hudson, 1989, pages 99–100. See also: Michael Kennedy,
Richard Strauss: Man, Musician, Enigma,
Cambridge: Cambridge University Press, 1999, pages 142–149, for this and other reactions.
2. See Malcolm Bradbury and James Mcfarlane, (editors),
Modernism, Op. cit.,
pages 97–101.
3. George R.
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