The Museum of Abandoned Secrets

something totally outrageous, like “Mister Adrian”—somehow they think it’s the Russian equivalent of saying “sir” in Ukrainian. It’s ridiculous and ungrammatical, but really popular—another post-Communist hybrid, like my salad, only far less appetizing. So why should a man have his breakfast interrupted?
    “Adrian Ambrozich,” Yulichka is clearly excited because she doesn’t even apologize when I mumble with my mouth full—“I hev some hick here, from a villadzh, somevere next to Boryspil, hebrot a Swiss knaiv, from var-taim, with a small so, in gud condishn. He ses at home he hes a kukoo clock end a walnut wardrobe, used to be his grandpa’s, he sed.”
    Whoa! No authentic cuckoo clocks have been sighted since about a year ago; Bray has scrubbed the market clean of them, no prayer for small fish like me. Is this for real? Yulichka certainly has the nose, that’s the main reason I hired her. Walnut ward-robe—that could be anything, but we can’t let this redneck out of our sight!
    “Hold him there, Yulichka,” I hear myself say in Russian. Wow, I didn’t think I could: that’s what money does to a man—and not even money yet, a mere providential waft of it in the air. Makes me think of Les’ka, we were at the university together: she and her husband went into the gas business under the tutelage of some Petya from Moscow, and later Petya turned out to be gay and would come visit every time he got the itch for Les’ka’s hubby—Les’ka would move out to the guestroom then. Do not judge so ye will not be judged, indeed.
    At the moment, though, Yulichka couldn’t care less about what language we’re speaking: We’re both breathing hard on our ends of the line, like a pair of lovers (like with Lolly before dawn, I think, irrelevantly).
    “I meid him koffi.”
    “Good job,” I say in Ukrainian, having regained my self-control; she does know what she’s doing. “Keep him entertained for just a bit longer, I’ll be right there,” I almost add “just let me take a shower.” To heck with the eggs, leave the pair of warm golden eyes to grow cold on the plate, but I have to shave at least—I can’t very well roll in all stubby! Have coffee at the office: I sourced me a mean espresso machine, no shabbier than Bray’s.
    A catch, finally! Man. About time—been scraping by on small stuff for years already, junk, bric-a-brac, whatever I can find, totally like that runaway goat from the nursery rhyme, as Lolly recites, “Ran past a stream—snatched a gulp to drink, ran past a trash heap—snatched a bite to eat.” No way to run a business, really.But now if I could take a spot at a good show, Doroteum’s coming up, for one, with a few really nice pieces.... Alright, stop it, enough daydreaming—go already!
    Turning off the TV—like clearing the table: erase the picture. Salad into the fridge, the egg dregs glowing with protein—into the mouth after all, albeit on the run, plate into the sink—and I’m in the bathroom, in front of the mirror, with the water splashing and the Gillette buzzing as happily as a bee on my face, when my mind suddenly registers, grants access to the footage that was on TV while I talked to Yulichka, the ochre-and-mud vision of Baghdad that’s been on every channel for the last couple days: far below, a bridge in the clouds of sand or blown-up brick dust, and a thread of American Abrams tanks crawling onto it, out of palm-tree greenery, from left to right—from the distance they look like a pride of monstrous prehistoric turtles. This turns out to be the last shot filmed by one of our own—Taras Protsiuk, Lolly knew him—from the balcony of the Palestine Hotel moments before the first turtle, which had already begun to turn its turret toward the camera, fires, and the next shot every TV channel in the world shows is one of Taras’s dead body, face down on the concrete with his legs folded under him and arms thrown wide, no longer holding his camera. The sound—I can’t remember if I heard any sounds. The guttural menacing growl of the tanks as they rolled onto the bridge—did I hear it on TV, or somewhere in my mind, after the dry rattle of the machine gun, in
that
dream last night?
    I go cold all over. I stand in the middle of my bathroom, on the mat, barefoot and stripped to my boxers—and shiver. Something’s short-circuited. Something—an idea—illuminated everything in a flash, and I must find it again, hunt it down and catch it