The Other Hand

doctor, who packed the stump of my finger with gauze and wrapped it up tightly. I was in a daze. I remember on the flight home to London that it vaguely surprised me, just as it had at the end of my childhood, that such a big story could simply continue without me. But that is the way it is with killers, I suppose. What is the end of all innocence for you is just another Tuesday morning for them, and they walk off back to their planet of death giving no more thought to the world of the living than we would give to any other tourist destination: a place to be briefly visited and returned from with souvenirs and a haunting sensation that we could have paid less for them.
    On the plane home I held my injured hand high, where it throbbed less painfully. Through the fog of painkillers, its approach unseen and unexpected, the thought presented itself to me that it would be sensible not to let Andrew touch my injury, then or ever again. In my mind I watched the killers taking Little Bee and Kindness along the beach. I watched them disappear. I watched them pass over the horizon of my world into that dangerous country in my mind where I lay awake at night, thinking of the things those men might have done to them.
    It never faded. But I went back to the magazine. Starting Nixie had been the third real decision of my life, and I refused ever to regret it. Nor was I going to give up on decision four—Charlie, my best decision of all—or decision five, Lawrence, who I had truly meant to renounce until the horror of Nigeria made me realize that was unnecessary. I threw myself into making my life work, and I forced myself to let the beach seem distant and impersonal. There was trouble in Africa, of course there was. But there was no sense getting hung up about one particular incident and missing the big picture. Lawrence insisted on that, and for once I took his advice. I set up direct debits from my bank account to a couple of African charities. When people asked what had happened to my finger, I said that Andrew and I had hired a scooter out there and been involved in a minor accident. My soul entered a kind of suspended animation. At home I was calm. At work I was the boss. At night I did not sleep, but I thought I could probably make the days work indefinitely.
    But now I stood up from the floor of Charlie’s room. I went to look at myself again in the mirror. There were bags under my eyes now, and sharp new lines across my forehead. The mask was finally cracking. I thought, This isn’t about the decisions you made anymore. Because the biggest thing in your life, the thing that killed Andrew and the thing that means you can’t sleep, is something that happened without you.
    I realized, more than anything, that I needed to know now. I needed to know what had happened after the killers took those girls away down the beach. I needed to know what had happened next.

five

    I WOKE UP ON Sarah’s sofa. At first I did not know where I was. I had to open my eyes and look all around me. There were cushions on the sofa and they were made of orange silk. The cushions had birds and flowers embroidered on them. The sun was coming in through the windows, and these windows had curtains that reached all the way down to the floor. They were made of orange velvet. There was a coffee table with a glass top, so thick that it looked green from the side. On the shelf underneath the tabletop there were magazines. One was about fashion and one was concerned with how to make the home more beautiful. I sat up and put my feet on the floor. The floor was covered with wood.
    If I was telling this story to the girls back home they would be asking me, How can a table be made of coffee and what is this thing called velvet and how come that woman you were staying with did not keep her wood in a pile at the side of the house like everybody else? How come she left it lying all over her floor, was she very lazy? And I would have to tell them: a coffee table is not made out of coffee, and velvet is a fabric as soft as the underside of infant clouds, and the wood on Sarah’s floor was not firewood, it was a SWEDISH-ENGINEERED FLOOR WITH THREE-STRIP ANTIQUE LACQUER AND MINIMUM 3 MM REAL WOOD VENEER CERTIFIED BY THE FOREST STEWARDSHIP COUNCIL ( FSC ) AS BEING MANUFACTURED USING ETHICAL FORESTRY PRACTICES , and I knowthis because I saw a floor just like it advertised in the magazine that was underneath the coffee table and which concerned beautiful homes. And