The Sketch-Book of Geoffrey Crayon

and there seemed to be no more pleasure under the sun. If ever her gentle bosom had entertained resentment against her lover, it was extinguished. She was incapable of angry passions, and in a moment of saddened tenderness she penned him a farewell letter. It was couched in the simplest language, but touching from its very simplicity. She told him that she was dying, and did not conceal from him that his conduct was the cause. She even depicted the sufferings which she had experienced, but concluded with saying that she could not die in peace until she had sent him her forgiveness and her blessing.
    By degrees her strength declined that she could no longer leave the cottage. She could only totter to the window, where, propped up in her chair, it was her enjoyment to sit all day and look out upon the landscape. Still she uttered no complaint nor imparted to any one the malady that was preying on her heart. She never even mentioned her lover's name, but would lay her head on her mother's bosom and weep in silence. Her poor parents hung in mute anxiety over this fading blossom of their hopes, still flattering themselves that it might again revive to freshness and that the bright unearthly bloom which sometimes flushed her cheek might be the promise of returning health.
    In this way she was seated between them one Sunday afternoon; her hands were clasped in theirs, the lattice was thrown open, and the soft air that stole in brought with it the fragrance of the clustering honeysuckle which her own hands had trained round the window.
    Her father had just been reading a chapter in the Bible: it spoke of the vanity of worldly things and of the joys of heaven: it seemed to have diffused comfort and serenity through her bosom. Her eye was fixed on the distant village church: the bell had tolled for the evening service; the last villager was lagging into the porch, and everything had sunk into that hallowed stillness peculiar to the day of rest. Her parents were gazing on her with yearning hearts. Sickness and sorrow, which pass so roughly over some faces, had given to hers the expression of a seraph's. A tear trembled in her soft blue eye. Was she thinking of her faithless lover? or were her thoughts wandering to that distant churchyard, into whose bosom she might soon be gathered?
    Suddenly the clang of hoofs was heard: a horseman galloped to the cottage; he dismounted before the window; the poor girl gave a faint exclamation and sunk back in her chair: it was her repentant lover. He rushed into the house and flew to clasp her to his bosom; but her wasted form, her deathlike countenance—so wan, yet so lovely in its desolation—smote him to the soul, and he threw himself in agony at her feet. She was too faint to rise—she attempted to extend her trembling hand—her lips moved as if she spoke, but no word was articulated; she looked down upon him with a smile of unutterable tenderness, and closed her eyes forever.
    Such are the particulars which I gathered of this village story. They are but scanty, and I am conscious have little novelty to recommend them. In the present rage also for strange incident and high-seasoned narrative they may appear trite and insignificant, but they interested me strongly at the time; and, taken in connection with the affecting ceremony which I had just witnessed, left a deeper impression on my mind than many circumstances of a more striking nature. I have passed through the place since, and visited the church again from a better motive than mere curiosity. It was a wintry evening: the trees were stripped of their foliage, the churchyard looked naked and mournful, and the wind rustled coldly through the dry grass. Evergreens, however, had been planted about the grave of the village favorite, and osiers were bent over it to keep the turf uninjured.
    The church-door was open and I stepped in. There hung the chaplet of flowers and the gloves, as on the day of the funeral: the flowers were withered, it is true, but care seemed to have been taken that no dust should soil their whiteness. I have seen many monuments where art has exhausted its powers to awaken the sympathy of the spectator, but I have met with none that spoke more touchingly to my heart than this simple but delicate memento of departed innocence.
THE ANGLER.

        This day Dame Nature seem'd in love,
        The lusty sap began to move,
        Fresh juice did stir th' embracing vines,
        And birds had drawn their valentines.