The Vorrh
was seated in the chair, the box of unused instruments already lying next to her. Had he done this in the last sitting? Placed it so in rushing departure to remind himself of their usage? Or had she made the decision for him? He pondered this as he adjusted her head and tightened the head clamps, seeing her smooth skin dimple under the pressure. He framed the camera, focused it and loaded the film.
‘Josephine, the first image will be a static reference to the poses that come after it.’
Her eyes blinked in understanding, and he took the first photograph, observing her implacable exterior before changing the plates. He returned to the camera and paused for a moment, holding the pneumatic shutter bulb in his right hand, and the bell in his left. He rang it twice.
Instantly, she contorted into a position of wretched exhaustion, as if frozen mid-nightmare. Her head twisted sideways, straining against the brace, and her mouth lolled open, eyes turned upwards under heavy, almost closed lids. The rest of her body slumped, sack-like, into the chair.
Muybridge was shocked by the speed of the transformation: so utterly different was the person before him, it was almost impossible to recognise her. Gone was the inner dynamo, with the outer beauty and gentle sanity he had begun to so enjoy. He quickly took the picture and rang the bell to return her but, to his horror, the ringing only heightened the pose. Her body twisted further away from itself, as if a great rope had been wound around her and connected to a cruel windlass, which had been tightened against normality. There was a spiteful crack, and for a horrifying moment he thought one of her bones had shattered; his astonishment augmented as he realised it was the sound of the metal head brace snapping behind her neck. Not knowing what to do next, he did the only thing he could: he reloaded the camera and made the exposure. Her head was now loose and driven back, as if by a mighty force. He changed the plates again and picked up the bell. He had forgotten every instruction he had read about this procedure; he couldn’t be sure if another ringing would release her or turn her invisible winch more severely; opportunity and curiosity lay across from pity and aid, in equal measures on the other side of the turn. With an uncertain exhilaration that he did not care to name, he rang the bell again. She slumped forward like a dead weight against the leather belt of the seat; it pressed up under her breast, forcing out a great exclamation of air. She was totally inert. Muybridge stepped towards her, disappointment congealing into concern. He lifted her weight back into the vertical, and was stunned at its solidity; she seemed to have changed density. Her subtle bones and gentle curves were cast in lead and granite, and when she opened her eyes, he saw a space in the universe he had never dreamed of. He distanced himself, stepping back as one of his long, shivering arms held her in place.
‘Josephine, are you alright? Can you hear me?’
The eyelids mercifully closed, and she seemed to soften into normal weight, falling into a detached slumber. He returned to the camera and collected his things, deciding against wakening her – it seemed safer to leave her undisturbed.
He gathered the plates and made his way to the darkroom. He processed them in an immersed daze, totally engaged by the images produced. He was beginning to understand what Gull had wanted from these sessions; tomorrow he would use the mirror.
Suddenly, he remembered his scheduled lecture at the Academy. His memory jolted, and he rapidly put away the chemicals and set the glass negatives to drain, returning to the studio to help Josephine out of her confinement. But she was gone.
He walked quickly and quietly through the kitchen to her rooms. Her bedroom door was ajar, and he softly pushed it open. She lay diagonally across the small bed, a blanket draped from her knees to the floor. Her breath told him that she was deeply asleep, and he crept a little closer. The restraining belt had wrenched away some of the buttons of her blouse; it fell to one side as she slept, exposing the rich upper curve of her right breast. Her hair comb had fallen out and was on the pillow, precariously close to her eyes. He moved it to the bedside table and picked up the blanket, lingering for a moment to savour the view of her exposed shoulders and chest.
He gathered his things and quietly left the studio, the warm glow of
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