What I Loved
foot on the severed head of Holofernes. After Violet dropped a borrowed book on my desk, she put one hand on my shoulder and leaned over me to get a better look at the picture. With her naked foot on the head of the man she has just decapitated, Judith seems be smiling, ever so slightly. The head is almost smiling, too, as if the woman and the bodiless head are sharing a secret.
"Holofernes looks like he enjoyed being killed,'' Violet said. "The picture doesn't feel a bit violent, does it?"
"No," I said. "I think it's erotic. It suggests the quiet after sex, the silence of satisfaction."
Violet moved her hand down my arm. The intimate gesture was natural for her, but I felt suddenly conscious of her fingers through my shirt. "You're right, Leo. Of course you're right."
She moved to the side of the desk and leaned over it "Judith fasted, didn't she?" She ran her finger down Judith's long body. "It's like the two of them are mingled, isn't it, mixed up in each other? I suppose that's what sex is." Violet turned her head to one side. "Erica's not home?"
"She's doing errands with Matt."
Violet pulled up a chair and sat down opposite me. She took the book and turned the picture toward her. "Yes, he seems to have gotten it here. It's very mysterious, the mixing thing."
"Is this a new idea?"
"Not really," she said. "It started because I was looking for a way to talk about the threat anorexics feel from the outside. Those girls have overmixed, if you see what I mean. They find it hard to separate the needs and desires of other people from their own. After a while, they rebel by shutting down. They want to close up all their openings so nothing and nobody can get in. But mixing is the way of the world. The world passes through us — food, books, pictures, other people." Violet put her elbows on the desk and frowned. "When you're young, I think it's harder to know what you want, how much of others you're willing to take in. When I was living in Paris, I tried on ideas about myself like dresses. I was always reinventing who I was. Chasing after the stories about those girls in the ward made me itchy and restless. I used to roam around the streets in the late afternoon, stopping for a coffee here and there. One day, I met a young man named Jules in a café. He told me that he had just gotten out of prison — that very day. He had been serving eight months on an extortion charge. I thought that was very interesting, and I asked him about prison, what it was like. He told me that it was terrible, but that he had done a lot of reading in his cell. He was a very handsome guy with big brown eyes and those soft lips, you know, the slightly bruised kind that look like they're always kissing. Anyway, I fell for him. He had this idea that I, Violet Blom, was a wild young American thing, a late-twentieth-century femme fatale who had been unleashed on Paris. It was all very silly, but I liked it. The whole time I was with him, I watched myself like I was some character in a movie."
Violet lifted her hand off my desk and gestured to her right. "Look, there she is in a café with him. The scene is well lit, but a little fuzzy to make her look better. Cheesy music is playing in the background. She gives him that look — ironic, distant, unknowable." Violet clapped her hands. "Cut!" She looked across the room and pointed. "There she is again. Dyeing her hair in the sink. She's turning around. Violet's gone. It's V. Platinum V walks out into the night to meet Jules."
"You dyed your hair blond," I said.
"Yes, and you know what Jules said to me when he saw my new hair?"
"No."
"He said, You look like a girl who needs piano lessons.'"
I laughed.
"Well, you may laugh, Leo, but that's how it started. Jules recommended a teacher."
"You mean you actually went just because he said you needed piano lessons?"
"It was my mood. It was a dare and a command at the same time — very sexy. And why not take piano lessons? I went to this apartment in the Marais. The man's name was Renasse. He had lots of plants, big trees and little spiky cacti and ferns — a real jungle. As soon as I walked in there, I had the feeling that something was going on, but I couldn't tell what it was. Monsieur Renasse was stiff and well-mannered. We started from the beginning. I was probably one of the only children in America who never played the piano. I played the drums. Anyway, I went to Monsieur Renasse every Tuesday for a month. I learned little pieces. He
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