Cyberpunk

FUCKED NOW” and “GASMAN WUZZERE” and “GASMAN IS AN IDIOT-MO.” The words were stippled on the dull pink ceiling in umber burn spots. Jerome wondered who GASMAN was and what they’d put him in prison for.
    He yawned. He hadn’t slept much the night before. It took a long time to learn to sleep in prison. He wished he’d upgraded his chip so he could use it to activate his sleep endorphins. But that was a grade above what he’d been able to afford—and way above the kind of brain chips he’d been dealing. He wished he could turn off the light panel, but it was sealed in.
    There was a toilet and a broken water fountain in the cell. There were also a few bunks, but he was alone in this static place of watery blue light and faint pink distances. The walls were salmon-colored garbage blocks. The words singed into the ceiling were blurred and impotent.
    Almost noon, his stomach rumbling, Jerome was still lying on his back on the top bunk when the trashcan said, “Eric Wexler, re-ma-a-in on your bunk while the ne-ew prisoner ente-e-ers the cell!”
    Wexler? Oh, yeah. They thought his name was Wexler. The fake ID program.
    He heard the cell door slide open; he looked over, saw the trashcan ushering a stocky Chicano guy into lockup. The robot everyone called “the trashcan” was a stumpy metal cylinder with a group of camera lenses, a retractable plastic arm, and a gun muzzle that could fire a Taser charge, rubber bullets, tear-gas pellets, or .45-caliber rounds. It was supposed to use the .45 only in extreme situations, but the robot was battered, it whined when it moved, its digital voice was warped. When they got like that, Jerome had heard, you didn’t fuck with them; they’d mix up the rubber bullets with the .45-caliber, Russian Roulette style.
    The door sucked itself shut, the trashcan whined away down the hall, its rubber wheels squeaking once with every revolution. Jerome heard a tinny cymbal crash as someone, maybe trying to get it to shoot at a guy in the next cell, threw a tray at it; followed by some echoey human shouting and a distorted admonishment from the trashcan. The Chicano was still standing by the plexigate, hands shoved in his pockets, staring at Jerome, looking like he was trying to place him.
    “’Sappenin’,” Jerome said, sitting up on the bed. He was grateful for the break in the monotony.
    “ Que pasa? You like the top bunk, huh? Tha’s good.”
    “I can read the ceiling better from up here. About ten seconds’ worth of reading matter. It’s all I got. You can have the lower bunk.”
    “You fuckin’-A I can.” But there was no real aggression in his tone. Jerome thought about turning on his chip, checking the guy’s subliminals, his somatic signals, going for a model of probable-aggression index; or maybe project for deception. He could be an undercover cop: Jerome hadn’t given them his dealer, hadn’t bargained at all.
    But he decided against switching the chip on. Some jails had scanners for unauthorized chip output. Better not use it unless he had to. And his gut told him this guy was only a threat if he felt threatened. His gut was right almost as often as his brain chip.
    The Chicano was maybe five foot six, a good five inches shorter than Jerome but probably outweighing him by fifty pounds. His face had Indian angles and small jet eyes. He was wearing printout gray-blue prison jams, #6631; they’d let him keep his hairnet. Jerome had never understood the Chicano hairnet, never had the balls to ask about it.
    Jerome was pleased. He liked to be recognized, except by people who could arrest him.
    “You put your hands in the pockets of those paper pants, they’ll rip, and in LA County they don’t give you any more for three days,” Jerome advised him.
    “Yeah? Shit.” The Chicano took his hands carefully out of his pockets. “I don’t want my cojones hanging out, people think I’m advertising—they some big fucking cojones too. You not a faggot, right?”
    “Nope.”
    “Good. How come I know you? When I don’t know you.”
    Jerome grinned. “From television. You saw my tag. Jerome-X. I mean—I do some music too. I had that song, ‘Six Kinds of Darkness’—”
    “I don’t know that, bro—oh wait, Jerome-X. The tag—I saw that. Your face-tag. You got one of those little transers? Interrupt the transmissions with your own shit?”
    “Had. They confiscated it.”
    “That why you here? Video graffiti?”
    “I wish. I’d be out in a couple