H Is for Homicide

the front door and the priest arrived in clerical black, a hyphen of snowy white collar visible at his neck.
    Bibianna leaned close and murmured, "Father Luevanos. He's the parish priest."
    Father Luevanos was in his sixties, a spare man with a withered face and a frizzy cloud of white hair. He was small and trim, shoulders narrow, his hands long and thin. He seemed to hold them away from his body, palms facing outward, like St. Francis of Assisi only minus the birds. He moved through the crowd, talking softly to each of his parishioners. He was treated like royalty, people parting to let him through. Raymond crossed to his side. Father Luevanos took his hands and the two murmured together in a mixture of English and Spanish. I could see Raymond's grief surface" in response to the priest's compassion. He didn't weep, but his face underwent a curious series of tics that, from a distance, looked like the fast-forward sequence of a man in tears. I gathered Chago had been one of Raymond's anchors, perhaps the only family member who really loved Raymond and was loved in return. Raymond caught my eye. He beckoned me over and introduced me to the priest. "She's from Santa Teresa."
    Father Luevanos held on to my hands while we talked. "Nice to meet you. You have a lovely community in Santa Teresa. How long have you known Valensuelo?"
    "Who?"
    "Chago," Raymond murmured.
    "Oh." I could feel my cheeks color. "Actually, I'm a friend of Bibianna's."
    "I see."
    As if on cue, Bibianna moved forward to greet the priest. She had changed into a black skirt, a white blouse, and black spike heels. She had tucked a red satin rose in her hair. Her face was very pale, makeup looking stark against the pallor of her cheeks. "Father…" she whispered. She was close to tears and her mouth began to tremble when he took her hands. He leaned toward her, murmuring something in Spanish. She must have felt an almost overwhelming impulse to unburden herself.
    Once Father Luevanos had departed, the mood of the place began to lighten. The afternoon had a lazy feel to it, despite the occasion. The front door stood open and the crowd spilled out onto the balcony. Some of the guys had brought six-packs, chips, and salsa. Conversations were punctuated by the hiss of pop-tops. There was muted laughter and cigarette smoke. Somebody brought a steel-string guitar and picked out intricate melodies. A nine-month-old baby named Ignatio toddled five steps and then sank down on his diapered behind, thoroughly satisfied with the applause his journey had netted him.
    At five-thirty, the crowd began to thin. We were expected over at the funeral home early so Raymond could view the body before the others arrived. We headed out for the funeral home at six. Bibianna and I sat together in the backseat. Luis drove. Raymond sat in the passenger seat, silent and distraught, clutching a bundle he'd carried out of the bedroom with him, wrapped loosely in the folds of a white satin scarf. His emotional distress had set off a whole galaxy of symptoms, jerks and twitches that seemed all the more wrenching for the look on his face. In the space of an hour, he'd gone from a vicious hoodlum to a scared-looking kid, overwhelmed by the ordeal that lay ahead of him.
    The funeral home was housed in an extravagant Victorian mansion, one of the rare remaining structures from the early grandeur of Los Angeles. The onetime single-family residence was three stories tall, the roofline broken up by towers and chimneys. The face of it was smoke-darkened stone and brown shingle, ancient tattered palms and cedars overpowering the lot, which was flanked on either side by squat concrete office buildings. The facade jarred my sense of reality, placing me for a split second in the year 1887, past and future trading places briefly.
    The interior was a cavernous collection of hushed rooms with high ceilings, dark varnished woodwork, textured wallpaper, and indirect lighting. The muted chords of an organ were barely audible, creating a subliminal mood of sorrow and solemnity. The furniture was Victorian, damask and ornately carved wood, except for the metal folding chairs that had been arranged around the "parlor," where Chago had been laid out. The pearly gray coffin rested in a bay at the far end of the room, half lid open to reveal a white satin interior and a portion of his profile. The bier was surrounded by big sprays of white gladioli and wreaths of white carnations, white rosebuds, baby's