Modern Mind

254–256.
    105. Bertrand Russell,
Religion and Science,
London: Thornton Butterworth, 1935.
    106.
Ray Monk, Bertrand Russell, Op. cit., page 244.
    107.
Ibid.,
page 245.
    108. Russell, Op.
cit.,
chapters IV and VII.
    109.
Ibid.,
pages 236ff.
    110.
Ibid.,
page 237.
    111.
Ibid.,
page 243.
    112. José Ortega Y Gasset, ‘The Barbarism of “Specialisation”,’ from
The Revolt of the Masses,
New York and London: W. W. Norton and George Allen & Unwin, 1932, quoted in John Carey,
The Intellectuals and the Masses,
London and Boston: Faber & Faber, 1992, pages 17–18.
    113. For their contacts and early years, see: Royden J. Harrison,
The Life and Times of Sidney and Beatrice Webb, 1858–1905: The Formative Years,
London: Macmillan, 2000.
    114.
Lisanne Radice, Beatrice and Sidney Webb: Fabian Socialists, London: Macmillan, 1984, page 56.
    115.
Ibid.,
page 264.
    116.
Ibid.,
page 292.
    117.
Ibid.,
pages 292 and 295.
    118.
Ibid.,
page 297.
    119.
Ibid.,
pages 297 and 298.
    120.
Ibid.,
page 303.
    121.
Ibid.,
pages 305 and 323.
    122. Stephanie Barron (editor),
Degenerale Art: The Fate of the Avant-Garde in Nazi Germany,
Los Angeles: County Museum of Art, and New York: Harry N. Abrams, 1991, pages 12–13.
    123.
Ibid.,
page 12.
    124.
Robert Cecil, The Myth of the Master Race: Alfred Rosenberg and Nazi Ideology, London: Batsford, 1972.
    125.
Ibid.,
page 12.
    126.
Ibid.,
page 83.
    127.
Ibid.,
pages 86–93.
    128.
Ibid.,
pages 95–103.
    129.
Ibid.,
page 120.
    130. Ronald Clark,
The Huxleys,
London: Heinemann, 1968, page 130.
    131.
Aldous Huxley: 1894–1963: A Memorial Volume, London: Chatto & Windus, 1965, page 30.
    132. For his own feelings about the book, see: Sybille Bedford,
Aldous Huxley: A Biography, Volume One: 1894–1939,
London: Chatto & Windus/Collins, 1973, pages 245–247.
    133. Keith May,
Aldous Huxley,
London: Paul Elek, 1972, page 100.
    134.
Ibid.
    135. Aldous Huxley,
Brave New World,
London: Chatto & Windus, 1934; New York: Harper, 1934. May,
Op. cit.,
page 103.
    136.
Clark, The Huxleys, Op. cit., page 236.

CHAPTER 17: INQUISITION
    1. Henry Grosshans,
Hitler and the Artists,
New York: Holmes & Meier, 1983, page 72. I have relied heavily on this excellent short book.
    2. Hildegard Brenner, ‘Art in the Political Power Struggle of 1933 and 1934,’ in Hajo Holborn (editor),
Republic to Reich: The Making of the Nazi Revolution,
New York: Pantheon, 1972, page 424. Quoted in Grosshans, Op.
cit.,
page 72.
    3. Grosshans, Op.
cit.,
page 72.
    4.
Barron, Degenerate Art, Op. cit., page 396.
    5. Carl Carls,
Ernst Barlach,
New York: Praeger, 1969, page 172, quoted in Grosshans, Op.
cit.,
page 72.
    6.
Ibid.,
page 73.
    7.
Ibid.,
page 72.
    8.
Ibid.,
page 73.
    9.
Ibid.,
page 74.
    10.
Ibid.,
page 75.
    11.
Ibid.,
page 77.
    12. Victor H. Miesel (editor),
Voices of German Expressionism,
Englewood Cliffs, New Jersey: Prentice-Hall, 1970, pages 209ff.
    13. Barron, Op.
cit.,
page 319.
    14. Grosshans, Op.
cit.,
page 79.
    15.
Ibid.,
pages 79–80.
    16.
Ibid.,
page 81.
    17. Berthold Hinz,
Art in the Third Reich,
New York: Pantheon, 1979, pages 43 ff.
    18. White and Gribbin,
Einstein, Op. cit.,
pages 163–164.
    19. Albrecht Fölsing,
Albert Einstein: A Biography,
New York: Viking, 1997, pages 659ff.
    20. White and Gribbin,
Einstein, Op. cit.,
page 206.
    21. Fölsing, Op.
cit.,
pages 648ff.
    22. White and Gribbin,
Op. cit.,
page 200.
    23. Fölsing, Op.
cit.,
page 649.
    24. Headline quote:
Berliner Lokal-Anzeiger,
March 1933, quoted in White and Gribbin, Op.
cit.,
page 204; American attempts to bar Einstein: Fölsing, Op.
cit.,
page 661.
    25. Jarrell Jackman and Carlo M. Borden,
The Muses Flee Hitler: Cultural Transfer and Adaptation, 1930–1945,
Washington DC: Smithsonian Institution Press, 1963, page 170.
    26. Ute Deichmann,
Biologists under Hitler,
Cambridge, Massachusetts: Harvard University Press, 1996, pages 40–47.
    27.
Ibid.,
pages 294ff.
    28. Stephanie Barron (editor).
Exiles and Emigrés: The Flight of European Artists from Europe,
Los Angeles: County Museum of Art, and Harry N. Abrams, 1997, page 212.
    29. Peter Hahn, ‘Bauhaus and Exile: Bauhaus Architects and Designers between the Old World and the New’, in Barron,
Exiles and Emigrés, Op. cit.,
page 212.
    30.
Ibid.,
page 213.
    31.
Ibid.,
page 216.
    32.
Ibid.,
page 218.
    33.
Martin Jay, The Dialectical Imagination, Op. cit., page 29.
    34.
Ibid.,
page 30.
    35.
Laura Fermi, Illustrious Immigrants: The Intellectual Migration from