Modern Mind

University of Illinois Press, 1992, pages 67ff.
    19. Riefenstahl was allowed to pick from other cameramen’s footage. See: Audrey Salkeld,
A Portrait of Leni Riefenstahl,
London: Jonathan Cape, 1996, page 173.
    20. Riefenstahl says in her memoirs that Hitler did not refuse to shake hands with Owen on racial grounds, as was widely reported, but ‘because it was against Olympic protocol.’ See: Leni Riefenstahl,
The Sieve of Time: The Memoirs of Leni Riefenstahl,
London: Quartet, 1992, page 193.
    21. Salkeld,
Op. cit.,
page 186.
    22. Knight, Op.
cit.,
page 213.
    23.
Ibid.,
page 216.
    24. Thompson and Bordwell,
Op. cit.,
page 294.
    25. Knight, Op.
cit.,
page 217.
    26.
Ibid.,
page 218.
    27. Thompson and Bordwell, Op.
cit.,
page 298. Knight,
Op. cit.,
page 218.
    28. Knight, Op.
cit.,
page 218.
    29. See Momme Broderson,
Walter Benjamin: A Biography,
London: Verso, 1996, pages 184ff for his friendship with Brecht, Kraus and a description of life in Berlin.
    30. Bernd Witte,
Walter Benjamin: An Intellectual Biography,
Detroit: Wayne State University Press, 1991, pages 159–160.
    31.
Ibid.,
page 161. In his account of their friendship, Gershom Scholem describes his reactions to this essay, claiming that Benjamin’s use of the concept of ‘aura’ was ‘forced’. Gershom Scholem,
Walter Benjamin: The Story of a Friendship,
London and Boston: Faber & Faber, 1982, page 207.
    32. Stanislaus von Moos,
Le Corbusier: Elements of a Synthesis,
Cambridge, Massachusetts, MIT Press, 1979, pages 210–213.
    33.
Ibid.,
page 191.
    34.
Ibid.,
pages 17, 49–50.
    35. Robert Furneaux Jordan,
Le Corbusier,
London: J. M. Dent, 1972, page 36 and plate 5; see also Von Moos, Op.
cit.,
page 75.
    36. Jordan, Op
cit.,
page 33.
    37.
Ibid.,
page 36 and plate 5.
    38. Von Moos, Op
cit.,
page 154; see also Jordan, Op.
cit.,
pages 56–57.
    39. Von Moos, Op.
cit.,
pages 302–303.
    40. See Von Moos,
Ibid.,
pages 296–297 for Le Corbusier’s thinking on colour and how it changed over time. In Jordan,
Op. cit.,
page 45, Le Corbusier describes the process in the following way: ‘One must take every advantage of modern science.’
    41. Humphrey Carpenter,
W. H. Auden: A Biography,
London: George Allen & Unwin, 1981, pages 12–13. See the discussion of ‘Audenesque’ in Bernard Bergonzi,
Reading the Thirties,
London: Macmillan, 1978, pages 40–41.
    42. Grevel Lindop, ‘Poetry in the 1930s and 1940s,’ in Martin Dodsworth (editor),
The Twentieth Century
; volume 7 of
The Penguin History of Literature,
London, 1994, page 268.
    43.
Ian Hamilton (editor), The Oxford Companion to Twentieth-Century Poetry, Op. cit., page 21.
    44. ‘VII’, July 1932, from ‘Poems 1931–1936’, in Edward Mendelsohn (editor).
Op. cit.,
page 120.
    45. ‘VII’, August 1932, in
ibid.,
page 120.
    46. G. Rostrevor Hamilton,
The Tell-Tale Article,
quoted in Bergonzi,
Op. cit,
page 43.
    47.
Ibid.,
page 52.
    48. Poem XXIX, in Mendelsohn (editor),
Op. cit.
    49. Bergonzi,
Op. cit.,
page 51. See also Carpenter, Op.
cit.,
for the writing of ‘Spain’ and Auden’s direction of the royalties. Lindop, Op.
cit.,
page 273.
    50. Quoted in Frederick R. Benson,
Writers in Arms: The Literary Impact of the Spanish Civil War,
London: University of London Press; New York: New York University Press, 1968, page 33.
    51. Carpenter, Op.
cit.,
page 219. See also: Bernard Crick,
George Orwell: A Life,
London: Secker & Warburg, 1980, chapter 10, ‘Spain and “necessary murder”,’ pages 207ff
    52. Benson,
Op. cit.,
pages xxii and 88ff.
    53.
Ibid.,
pages xxii and 27.
    54. André Malraux,
L’Espoir,
Paris: Gallimard, 1937.
    55. Curtis Cate,
André Malraux: A Biography,
London: Hutchinson, 1995, pages 259ff.
    56. Benson, Op.
cit.,
pages 240 and 295. At times Hemingway’s book was sold under the counter in Spain. See José Luis Castillo-Duche,
Hemingway in Spain,
London: New England Library, 1975, page 96.
    57.
John Berger, The Success and Failure of Picasso, Op. cit., page 164.
    58. Arianna Stassinopoulos, Op.
cit.,
page 231.
    59. Berger, Op.
cit.,
page 102.
    60. Stassinopoulos,
Op. cit.,
page 232.
    61. Herbert Read, ‘Picasso’s
Guernica’, London Bulletin,
No. 6, October 1938, page 6.
    62.
Robert Hughes, The Shock of the New, Op. cit., page 110.
    63.
Ibid.,
pages 110–111.
    64. Stassinopoulos, Op.
cit.,
page 256.
    65. Herbert Rutledge Southworth,
Guernica! Guernica!,
Berkeley: University of California Press, 1977, pages 277–279, shows how many Spaniards took a long