Orange Is the New Black
figures were shouting at us over the wind to line up, with plenty of room between each of us. We performed the tarmac jig that is done when one is trying to move as quickly as possible against restraints. After a rough pat-down, a female marshal checked my hair and my mouth for weapons, and the hop was on to the stairs up to the plane.
On board were more marshals, enormous beefy men and a handful of weathered-looking women in navy blue uniforms. As we clinked and clanked into the passenger seating area, we were greeted by a wave of testosterone. The plane was packed with prisoners, all of whom appeared to be male. Most of them were very, very happy to see us. Some were making a lot of noise, declaring what they would like to do to us, offering critiques as we shuffled up the aisle as directed by the marshals. “Don’t you look at them!” the marshals shouted at us. Clearly, they had calculated that it was much easier to focus control on the behavior of a dozen females than two hundred males.
“What are you scared of, Blondie? They can’t do anything to you!” shouted the male prisoners. “Over here, Blondie!” They were proven wrong in my mind later in the trip when a big man rose from his seat, loudly protesting that he needed a bathroom, and the marshals promptly tasered him. He flopped around like a fish.
Con Air is like a layer cake of the federal prison system. Every sort of prisoner is represented; sad-looking middle-aged upper-class white men, their wire-rim glasses sometimes askew or broken; proud cholos looking vaguely Mayan and covered in gang markings; white women with bleached-out hair and very bad orthodontia; skinhead types with swastika tattoos on their faces; young black men with their hair bushed out because they had been forced to undo their cornrows; a skinny white father-and-son pair, obvious because they were the spitting image of each other; a towering black man in extra-heavy restraints who might be the most imposing figure I have ever seen; and of course, me. When I was escorted for a bathroom break (difficult to manage when one’s wrists are chained to one’s waist), in addition to lascivious invitations and threatening catcalls, I was treated to more than one “Whatcha doin’ HERE, Blondie?”
I was feeling more positively about everyone’s shackles. I was so glad that Jae was next to me, craning her head to see everything too. Still, it was unnerving that she and her cousin didn’t know what legal proceeding they were headed toward. We all agreed that if, God forbid, they had “caught another case” (been charged with another crime), they should have been told. But maybe not. They didn’t have high-end representation like me.
Con Air does not fly direct. The jumbo airliners act more like puddle-jumpers, stopping hither and yon to pick up convicts being transported all over the country for all kinds of reasons—court appearances, facility transfers, postsentencing designation. Some prisoners appeared to be fresh off the street, still in civilian clothes. They brought on a Spanish guy with long black hair who would have resembled Jesus were his face not so hard; he was so good-looking, it was like a kick in the gut. At one stop more women got on. One of them paused in the aisle, waiting for a marshal to tell her where to sit. She was a scrawny little white woman, missing teeth, with a cloud of hair that was an indeterminate shade somewhere between gray and peroxide. She looked like a woebegone yard chicken, like she had led a hard life. As she stood there, some wiseass called out, “Crack kills!” and half the plane, which must have contained some crack dealers, busted out laughing. Her homely face fell. It was like the meanest thing you ever saw on the schoolyard.
At about eight P.M. we landed in Oklahoma City. I believe that the Federal Transfer Center sits at the edge of the airport there, but I can’t be completely sure, as I never saw the outside world—the planes taxi right up to the prison to unload their heavily tattooed cargo. By default and necessity, it is a maximum-security facility that houses many prisoners during the course of their airlift experiences. Until I reached Chicago, this would be my new quarters.
We arrived at our new unit hours later, approximately twenty exhausted women who were issued sheets, pajamas, and small packets of hygienic necessities and ushered into a triangular cavern lined with two tiers of cells. It was darkened and
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